Sarah Lucas on a British pavilion show that will be 'hard-core crème Anglaise'
The YBA promises a bawdy mix of high and low culture, loo-paper meets bronze, in a show that is "classic Sarah Lucas" yet “very Casanova”
Wolfgang Tillmans at the Venice Architecture Biennale: Journeys into space
Wolfgang Tillmans’s Venice work explores architectural details, grand and humble, from 37 countries
Artist Interview: Why Tillmans is returning to Russia
The artist is taking part in Manifesta 10, despite the country’s anti-gay laws
Phyllida Barlow: the artist working with the Tate collection to interrogate the essential nature of sculpture
Since retiring from teaching at the Slade school after 40 years, the sculptor has found her large, site-specific works in great demand—not least at Tate Britain
Works head to Tate fresh from Frieze thanks to the Outset/Frieze Art Fair Fund
Younger and less recognised artists were the order of the day
Artist Interview: Gary Hume opens the doors of perception at the Tate
A pair of Hume’s swing doors mark the start of his Tate Britain show. But what lies beyond?
Nada warns defectors as Untitled muscles in on its territory
The New York Dealers Alliance attempted to bar its exhibitors from future editions of Nada should they also take part in Untitled
Lawrence Wiener, the pioneer of Conceptual art, on transcending physical context and his egalitarian outlook
“The work has no metaphor: it is what it is”
Interview with Pilippe Parreno: Warning, this art will self-destruct
Visitors to Parreno’s Beyeler show get a copy of his “black garden” film. The DVD will expire but the plants live on
'We are entering into the uncanny valley': Interview with Philippe Parreno
The artist’s solo show at the Beyeler this month includes new films starring a black garden and a robotic Marilyn Monroe
Trees of knowledge: Interview with Ackroyd & Harvey
Ackroyd & Harvey have fused nature and engineering to mark London 2012’s legacy and the Olympic Park’s hidden history
The outsider’s outsider: Interview with Jeremy Deller
Is Deller the best artist whom collectors rarely buy? And why is he showing in London, a city he tries to avoid?
Interview with Liam Gillick: “There’s a perversity in my method”
With a biennial, two shows and a knitwear range on the go, Liam Gillick talks about the lasting effect of his Goldsmiths years
Three of the best for Tate in this year's Outset/Frieze Art Fair Fund acquisitions
Two new artists and an old favourite make the cut
Interview with Jarvis Cocker: "A show can plant a seed that flowers years later"
The musician and St Martin’s graduate on why access to art is crucial during an economic crisis
Interview with Thomas Struth: “Photographs reveal people’s inner agenda”
On the eve of his solo show at the Whitechapel Gallery in London, Struth talks about society, the family and the gaze
Interview with Mike Nelson: On the biennale, Turkey, and being “not quite sure what installation is…”
His work at the Venice Biennale has meant rebuilding an installation inside a rebuilt caravanserai within the British Pavilion
“I lived poor and there was no shame”: Interview with Susan Hiller on overcoming the art market
The artist speaks about the 1970s, public engagement, and the supernatural
Outset/Frieze Art Fair Fund adds to the Tate’s collection
Works by Lorna Simpson, Július Koller, and Jimmie Durham make up the selections this year
Interview with Marina Abramovic: "Life is getting faster, the art has to go slower”
Marina Abramovic on the pain of sitting still, being the black sheep of the family and working with Robert Wilson