Jane Morris
Jane Morris is an editor-at-large of The Art Newspaper and a consultant at Cultureshock. She writes for many titles including The Art Newspaper, Monocle and the Economist. She was the editor of The Art Newspaper for almost a decade. She is a former head of publications at the Museums Association, and was a judge of the European Museum of the Year Award. She has contributed to Radio 3, Radio 4 and Monocle 24 radio, and has written for national newspapers including The Guardian and The Independent.
What Basquiat absorbed from the New York School
Show at London's Barbican is first major survey on the artist since 1996
Jasper Johns’s 60-year pursuit of the truth
Royal Academy in London brings together 150 works by the artist for major show opening this week
Boom and bust in Kassel and Athens
Documenta 14 sets itself in opposition to neoliberalism and the art market — but will it pave the way to greater excess?
Interview: the name’s Charrière, Julian Charrière
The Swiss artist who brings an up-close view of Chernobyl to Art Basel’s Unlimited is not afraid to leave his comfort zone
Venice Biennale: triumphs and talking points
Leading figures give their impressions of Christine Macel’s main show, Viva Arte Viva, and their pick of the national pavilions
Sculpture Projects Münster 2017: the essential things to see
Sculpture is redefined in the once-every-ten-year German festival
Documenta 14 in Kassel: an instrument of soft power
Artistic director Adam Szymczyk builds on highly-political themes of earlier opening in Athens
From here to eternity: the nine trans-pavilions at the Venice Biennale
A journey that starts on the artist’s couch and ends with a meditation on the infinite nature of time: what to expect from the main show
'Reinventing the world': Venice Biennale gives older and lesser-known artists their due
Christine Macel’s Viva Arte Viva raises reputations and social awareness
Magnum Photos celebrates 70 years in New York with a show of 250 works
The International Center of Photography is hosting a show of 250 works—including a recent rediscovery
Magnum Photos celebrates 70 years in New York with a show of 250 works
The International Center of Photography in New York will play host to the highlights produced by this prestigious agency
Gone, but not forgotten: Resurrected Artists in the Main Show
Five of the 15 artists in Viva Arte Viva who are deceased but, Macel says, deserving of more recognition
What's driving the growing interest in African art?
As exhibitions abound and a game-changing new museum gets ready to open in South Africa, the market looks set to follow
When the American dream almost died: on After the Fall at the Royal Academy of Arts
The Great Depression led to range of responses by American artists, whose works are on show in London
Curators resist pressure to hold sculpture show in Münster more often
German city debates whether to stage once-a-decade festival every five years
British artist John Akomfrah wins £40,000 Artes Mundi Prize
The Ghanaian-born film-maker’s work draws on themes like migration, colonialisation and the environment
Modern art breaks free of the old borders
New generation of curators and patrons expands the canon to encompass the world beyond the US and Europe
Can you digit? A media art pioneer celebrates 15 years
New York's bitforms gallery brings show of digital works to San Francisco
Bedwyr Williams's futuristic city stands out on Artes Mundi prize shortlist
Cardiff-based international competition focuses on the human condition
Getting digi with it: why new media art still hasn't fully gone mainstream
As new technology is increasingly adopted by artists, can curators and collectors keep up?
Documenta to restage Acropolis of banned books
Work by Marta Minujín was originally shown shortly after the collapse of Argentina's dictatorship in the 1980s
African American artists get Paris debut
Exhibition at the Musée du Quai Branly introduces French audiences to artists like Jacob Lawrence, Aaron Douglas and Norman Lewis
Getting digi with it: how the art world is grappling with new media
As new technology is increasingly adopted by artists, can curators and collectors keep up?
Will sunshine mean Hillary, and rain bring on Trump? James Bridle’s Cloud Index aims to find out
Serpentine Gallery commission correlates weather conditions with polling results
Venice Biennale director Christine Macel promises artist-centred exhibition
Called Viva Arte Viva it will feature more female and non-Western artists
Can foreign collectors and museums sustain Brazil’s art market?
The country is in the doldrums, but its artists have never before enjoyed such critical acclaim abroad
Nicholas Serota: The great transformer
The Tate director knew Tate Modern would need to expand before it even opened. It has happened sooner than expected
The ground is laid for the next revolution
As Tate Modern open its new extension, a £260m brick-clad ziggurat designed by Herzog & de Meuron, we consider the museum’s seismic effect on the art scene in London and internationally
Nicholas Serota looks beyond Tate Modern
Tate director rules out overseas satellites to carry on serving a broad public at home