Anny Shaw

Anny Shaw is a contributing art market editor at The Art Newspaper and author of Resist: Rebellion, Dissent & Protest in Art

Art Baselarchive

It’s a man’s (art) world—or is it?

Only around 25% of the dealers at Art Basel are female, but women are giving no quarter as the playing field begins to level out

“The Philippines: Archipelago of Exchange” stages the largest exhibition of indigenous Filipino art ever seen in Europe

The exhibition of pre-colonial art aims to convey an underlying notion of exchange, in all senses of the word

Max Ernstarchive

Investigating under Ernst’s surfaces at the Fondation Beyeler

Technical analysis could reveal secrets of rare Ernst plaster sculpture

Art marketarchive

Tribal art attracts Modern collectors

A new breed of buyer is crossing over from modern and contemporary art and acquiring the top pieces in every field

Park West sued again

They deny selling fake Dalí works

Arab protesters put their art on the streets

Artists have used the walls of Cairo, Damascus and Tripoli to document the uprisings

Williamsburg street art is Phil Frost, not Basquiat

As the appreciation of street art rises (as do its prices), attribution becomes critical

Video artarchive

Fast forward video art

Artists love it as a medium, but are collectors and dealers too busy for time-based work at an art fair?

Victoria Pomery: An expert eye on Frieze

The director of Turner Contemporary chooses her favourite works from the fair—and reveals a very British preoccupation with the weather

Friezearchive

The work of art in the age of cut and paste

Can the law keep up with the speed of digital appropriation, reproduction and distribution? And should it even try?