Tate

Tatearchive

Should the Tate Gallery split?

We asked leading figures in the art world whether the Tate should divide into the British Collections and a museum of international modern art: all but one were in favour

June 1992archive

Just what is it that makes Richard Hamilton so different, so appealing?

The artist gives a rare interview ahead of his Tate Gallery retrospective, weighing in on Pop Art and the Pop revival and the need for quality judgements in art and consumer society

John Rothenstein, the Tate Gallery’s longest serving director, dies

Douglas Cooper v. the Knight Commander of the Mexican Order of the Aztec Eagle: round one

Tatearchive

"New Displays" at the Tate Gallery makes special rooms for Joseph Beuys and Rebecca Horn

Important loans include portraits by Hogarth and Gainsborough and five landscapes by Constable

Reflections on the Richter exhibition

Leading German artist showing at the Tate comments on his work

Tatearchive

Problems with British Museum acquisitions summed up in new show 'Collecting the Twentieth Century'

An exhibition at the British Museum makes Brian Sewell question whether it should be buying twentieth-century material at all

Gerhard Richter survey at the Tate Gallery

Nick Serota launches into a new policy towards international contemporary art

As Constables resurface, Tate introduces a new side of the artist

Leslie Parris and Ian Fleming-Williams discuss what we can learn from these new pictures

Werner Spies on Ernst as the inventor of the Surrealist universe

Spies, art critic and friend of the Surrealist, talks about his exhibition opening this month at the Tate Gallery

Tatearchive

Ro-Tate: Tate's rehang success with 1,500,000 visitors in attendance

It’s all change at the Tate Gallery, as part of Nick Serota’s policy of rotating the collections

Jennifer Mundy argues conservative art can also be good art: On Jane Lee's new Derain monograph

The Tate curator discusses moving on from Fauvism and the relationship between originality and quality