With modern foreign art to be displayed at Bankside, opinion within the Tate differs as to how the story of British art should be told

Sir Edwin Manton, an American-based insurance executive, has donated £7 million ($11.2 million)

Riley speaks of the fortuitous events that led to the upcoming exhibition at Tate and the significance of Mondrian's artistic evolution

But Victoria and Albert Museum’s £23m British Galleries project sent back to the drawing board

The sculptor discusses his new work as he installs his first solo show in England

The artist’s daughter, now eighty-seven, reminisces about being painted by her father and life in Weimar Berlin

£20,000 for thirty-year old Scotsman

In Britain, official papers are revealed after thirty years. The Art Newspaper was ready and waiting to see what was—and what might have been

The works are from the Oppé collection and Janet Wolfson de Botton

Rationalising London’s paintings collections

The new exhibition displays over 250 works in a journey around the art inspired by the eighteenth-century infatuation with Italy and antiquity

Wonnacott's portrait of John Major is on view at Agnew's

Memorably described by Robert Hughes, the art of Leon Kossoff can be seen in London this month

A successful show, with record attendance of 409,000 visitors

Austrian industrialist Joseph Froehlich is loaning major works of German and American art to the museum while Friends of the Tate contribute several new gifts

After much controversy surrounding the archives release, Sir Alan Bowness releases part of the archive to Tate

Cézanne one of the few to cross the channel

International group of conservators consider the problems posed by the conservation of modern sculpture

Dynasties, a big show of Tudor and Jacobean painting, demands considerable intellectual input from the visitor

Criticism from the Spanish architectural world as the museum launches huge open competition for its new extension

White Cube and the Tate Gallery are showing Quinn's self-portraits as Annely Juda marks the end of WWII

An installation by Matthew Barney inaugurates a programme of innovative contemporary art long planned by Serota

Architectural theorist Jehuda Safran discusses the merits of Herzog and de Meuron

University College, Oxford, has commissioned R.B. Kitaj to paint a portrait of President Clinton (a former Rhodes Scholar) for the school’s Great Hall, but the honour hardly compensates for the American expatriate's treatment at Tate

Are we right to be so admiring of the work currently exhibited at the Tate

A broadly chronological approach with thematic rooms addresses Surrealism, emotion, and history painting

Successful visitor figures for 1994

As the current survey opens in London, we look at how it fared in the US

Despite the sculptor’s wishes, Alan Bowness has failed to hand her papers over to the Tate