National Gallery
Three to see: London
Nothing is quite black and white at the National Gallery, while Marie Jacotey’s enigmatic illustrations provide further mysteries
Exhibition shines light on painter who gave up art to run London’s National Gallery
Frederic Burton spent late career acquiring some of museum’s best-known masterpieces
Podcast episode one: Nazi loot and Rachel Whiteread
Nazi-loot conference at London’s National Gallery. Plus: Rachel Whiteread on “mummifying the air” at Tate Britain
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UK’s restitution powers to be extended indefinitely for Nazi-era loot
New legislation will remove legal restrictions that prevent many museums from deaccessioning works
Giovanni da Rimini's images of religious splendour shine in the National Gallery
A Renaissance masterpiece is unveiled, but its mystery remains unsolved
Sebastiano and his mentor Michelangelo arrive in London
The National Gallery explores the highs and lows of this prolific partnership
Reynolds' experiments a real headache for conservators
Research project and show explain conservators’ difficulties with his techniques
Städel shows off its ‘new’ portrait by Raphael
The painting came up for sale at auction in 2007 in Vienna, where it was catalogued as being by an “imitator” of Raphael
The big hole in Britain’s National Gallery: Bring back the Victorians
The omission of paintings by the Pre-Raphaelite Brotherhood could be rectified by judicious loans
Books: The National Gallery’s latest Technical Bulletin makes some great discoveries
The volume is a compendium of papers presented at the Gallery in September 2009
Looking beyond Leonardo's blockbuster National Gallery exhibition
Where next after Leo-mania?
The mysteries of Leonardo: A review of the National Gallery's new exhibition on the master
An exhibition catalogue that is erudite, sound and elegant—but for scholars, not the general reader
New insights into Leonardo's only portrait of a male sitter
The music depicted in Portrait of a Musician, 1485-88, currently on loan to the National Gallery, London, may have been composed by the artist
Is the Salvator Mundi a Leonardo? The National Gallery seems to think so
A new exhibition includes the newly discovered painting, ratifying it as the genuine article
Salvator Mundi in London: Your first chance to see the “new” Leonardo
How the National Gallery negotiated a record eight loans including a long-lost canvas, Saviour of the World
Salvator Mundi Leonardo attribution: it’s all in the hand of the master
Proof of changes to the composition increases scholarly support
Donations to UK national museums revealed: Tate receives lion's share
Out of a total of £193m, Tate's gifts by the likes of Hockney, Hirst, Bonnard and Bacon total £147m
Restoration at the National Gallery shows Leonardo in a new light
The Virgin of the Rocks minus fog
Cleaning shows that London’s Virgin of the Rocks is nearly all by the artist’s hand
After five years of research and conservation, Leonardo's masterpiece is once again looking its best
Interview with Nicholas Penny on his plans for the National Gallery: “It is a real shame that we do not have more American paintings”
In his first interview since taking over, the new director outlines his priorities
Spanish portrait bought by Prince of Liechtenstein detained in UK
The National Gallery is now trying to raise the funds to buy it
Tate to go for Rubens Whitehall sketch
Valued at £11.5m, the preliminary sketch for The Apotheosis of King James I is now up for sale
National Gallery and British Museum follow V&A’s lead
Leading organisations to abolish reproduction charges for scholarly publications
Growing evidence that Göring seized National Gallery’s Cranach from its pre-war owner
We uncover the remarkable story of how a US war reporter governed Hitler’s mountain retreat for a day and took control of Reichsmarschall Göring’s collection of stolen art
Revealed: National Gallery’s Cranach is war loot
The painting was taken from Germany at the end of World War II
New agreement between the Tate and National Gallery allows for more flexibility
Meeting between museum directors results in increased flexibility whilst borrowing pictures outside the 1900 division
Sotheby’s Holbein will not be included in Tate show
Neither will the National Gallery’s Ambassadors which was judged too fragile to travel across London
Tate considers National Gallery’s proposal to show early 20th-century art
Trustees discuss idea following our report