Michelangelo
Michelangelo drawings head (Mid)West for Cleveland show
The exhibition, which includes a preliminary drawings for the Sistine Chapel ceiling, will also travel to the J. Paul Getty Museum in Los Angeles
Michelangelo for beginners, and a new view of the master’s bronzes
Three new books offer fresh angles on the Renaissance master
Ranked: the top ten most popular shows in their categories from around the world
Including Old Masters, Contemporary, Post-Impressionist and Modern, and more
Heavenly figures: how two Met shows topped The Art Newspaper’s attendance survey
The New York museum's Heavenly Bodies exhibition came first even though curator “never set out to create a hit”
Kira Perov: the ‘guardian angel’ in Bill Viola’s life and work
As the Royal Academy in London prepares to open a show uniting the US video artist with Michelangelo, his wife and collaborator discusses her pivotal role in his process
Brickmaker moves out of construction and into Old Masters investment, buying a $75m Michelangelo painting
New US owner of former Chinese building-materials business turns to lucrative fractional ownership of art
Rothschild Bronzes definitely by Michelangelo, new book claims
Pair of nude males, acquired by the family in 1877, last sold at auction in 2002
Drawing the mercurial mind: book poses Michelangelo’s draughtsmanship as the key to his life and works
Volume produced for the Metropolitan Museum of Art's exhibition of the artist is "a lasting contribution to scholarship"
The UK's only marble Michelangelo takes pride of place at new Royal Academy
The Taddei Tondo has not always been treated as a masterpiece
Design or colour? Look to Titian
A shoestring trip to La Serenissima—and a thumbs-up for Simon Schama
Michelangelo: The Art Newspaper's editor talks about a British treasure
Heni Talks: Alison Cole examines the Taddei Tondo—the only marble sculpture by the Italian master in the UK
Half a million visitors can’t be wrong: the Met’s Michelangelo show is the cultural event of the year
The major loan show is a double whammy in the quality of the works presented and its popularity
Sebastiano and his mentor Michelangelo arrive in London
The National Gallery explores the highs and lows of this prolific partnership
Raphael’s lines of influence at the Queen's Gallery
The Royal collection of drawings by Raphael and his circle to cross the Atlantic
Michelangelo's sculptures transported into the digital age with new scanning technology
Stanford University works to create computer models of all of the master's sculptural works