Iran
Iran loses case against Barakat Gallery ordering return of artefacts seemingly taken from Jiroft
UK courts ruled that Iran presented insufficient evidence to warrant the antiquities' reacquisition
Iran loses UK court battle over Persepolis fragment
Iranian lawyers argued that any rights to the fifth-century bas-relief should be relinquished to its country of origin
Italian archaeologists arrive in Iran for citadel of Bam restoration project
The Italian government is giving financial assistance in the 2,000 year-old site's repair, after it was badly affected by an earthquake
Antiquities resembling those looted from Jiroft offered for sale by satellite of Manhattan's Salander O' Reilly Galleries
Gallery “unaware” of concerns over objects offered on website
Tehran to commission sculptures for first International Sculpture Symposium
The event will go ahead despite religious sensitivities
Danish artists' group Parallel Action plans Iranian revolution via an appeal to the arts
With the Danish Arts Council's blessing, Thomas Altheimer and Nielsen will travel to the Middle East this autumn
Niavaran Palace Museum mounts Chagall show in defiance of Iranian regime
Exhibition of Jewish artist’s work challenges official stance on Israel
Victims of Hamas suicide bombers demand Iranian antiquities from US museums in compensation for injuries
Terrorist attacks in Jerusalem which killed five and injured hundreds were executed with funding from Iran—say plaintiffs in several lawsuits
Iran takes first step in reconstruction of Samarra mosque, a casualty of sectarian reprisals in Iraq
The shrine's restoration, which will be paid for by private sector investment, has been the subject of a deal brokered between ICHTO and the Iraqi Ministry of Culture
Iran sues Barakat Gallery for return of antiquities apparently looted from Jiroft
The gallery's owner makes no comment on artefacts' origins, but insists that all purchases were made legally
Iran takes out injunction to block Christie's sale of Palace of Xerxes relief fragment
Iran argues that the artefact was acquired through criminal means, although their failure to speak out when the fragment went to auction previously may undermine their case
Sami Azar reinstated as director of Tehran's Museum of Contemporary Art following protests by artists
“This is the only time in Iran that a cultural manager has been supported by artists like this”, he tells The Art Newspaper
How Sami-Azar, head of Tehran's Museum of Contemporary Art, has been the mediator that Iranian artists yearned for
With the view that creative outlet precedes change, Sami-Azar has begun to thaw segregationist policies that bar Iranian artists from international acclaim
Ali-Reza Sami Azar, director of Tehran's Museum of Contemporary Art, has stepped down
Whilst the motivation behind his departure is unexplained, his career, driven by his reformist values, has left its mark on Iranian culture
Archaeologists given more time to survey Iran's Bulaghi valley before dam waters cause it to submerge
Experts at the ancient site of Izeh in the Karun River valley have not been afforded the same privileges
Franco-Iranian accord decrees the two nations will collaborate in archaeological ventures
Two heads are better than one, as the question of how best to preserve historic ruins is yet to receive a definitive answer
Could the Bulaghi dam project be a blessing in disguise?
A modernisation project might just save an unearthed historical site in Iran that could one day prove to be invaluable to the study of the region.
36 arrested and 940 objects reclaimed as Iranian authorities apprehend antiquities smuggling ring
Iran has clamped down on illegal trade in antiquities, which has led to archaeological sites being promptly denuded post-discovery
National Museum of Iran exhibition to tour five Japanese cities
The costs of bringing "Iranian splendour" overseas will be covered by the Japanese royal family
Construction of dams in Iran submerges crucial archaeological sites
“To see this happen breaks my heart”, says archaeologist Dr Henry Wright
Iran sentences Jiroft smugglers to death
It is the first time that Iranian courts have issued a harsh punishment for the illicit exportation of goods from an archaeological site
How Britain tried to use the Cyrus Cylinder for political gain
As The British Museum prepares to loan the Cyrus Cylinder to Iran, The Art Newspaper remembers the Persian antiquity's first visit to its home nation in 1971
While Tehran and the West clash over Iran's nuclear programme, their museums keep communication diplomatic
The Oriental Institute at the University of Chicago's decision to restitute a set of 300 ancient clays tablets to Iran is proof of strengthening ties
Iran offers to help Iraq protect its heritage
By expressing their wish to join an international cultural task force, Iran acknowledges the mutual cultural history that ties the two countries
Antiquities dealer arrested for smuggling Iranian artefact from raided archaeological site into US
Hicham Aboutaam sold the antiquity to a New York buyer for $950,000; the US says it is part of a the looted Western Cave hoard
The British Council releases its artistic programme for 2004
The international line-up includes projects in Libya, Iran, Israel and the Palestinian Territories
Looted tombstone from Jiroft returned to Iran following its seizure by London police
After the tomb was discovered, Iran's Ministry of Culture were unable to prevent civilians from systematically emptying them of artefacts, which were then shipped overseas
London and Paris markets flooded with Iranian antiquities looted from newly discovered site at Jiroft
Before police intervened, thousands of objects were plundered by locals and sold on to Europe
Director of Tehran's Museum of Contemporary Art on how artistic collaboration can bring Iran and the UK closer
An upcoming show of British contemporary sculpture could be the start of a productive cultural dialogue between Iran and the UK
New York's Asia Society hosts 'Hunt for paradise: Court arts of Iran, 1501-76. Asia Society'
The exhibition illustrates how monarchical patronage in the 15th century paved the way for an age of artistic accomplishment in Iran