Interview
“I still believe in the hand of the artist”: Interview with collector Eugene Thaw
The connoisseur, dealer, collector and patron of the Morgan Library discusses the importance of emotional impact, and how the art market has transformed since the start of his career
Interview with Antonio Pitxot on Dalí: Portrait of the artist as a young man
The artist's long time friend sheds light on the artist as he was, ahead of the Hayward Gallery exhibition on his early works
A major private museum of Impressionism and Greek art for Athens
Architect of the Louvre pyramid, I.M. Pei, is its designer
When the Musée du Louvre moves into the Richelieu wing, for years occupied by the Ministry of France, it overtakes the Metropolitan in New York as the biggest museum in the world. We have interviewed its director Michel Laclotte, who has seen the project through to completion
The apotheosis of the Louvre
430 unknown drawings by Modigliani brought to light as the son of the artist's best friend releases a new book
The works were collected day by day, from 1907 to 1914, by Paul Alexandre during the artist’s stay in Paris
The ADAA thirty years on: “We’ve cleaned up tax fraud, the selling of fakes, helped recover thefts, and supported freedom of expression”
As the Art Dealers Association of America’s annual Armory show drew to an end we talked to Gilbert Edelson, a founder member
Interview with Germain Viatte: “We have come a long way”
The new Director of France’s National Museum of Modern Art gives his first interview
Accused of being a fascist artist after World War II, famous yet neglected, Mantegna now gets his major show
Nicholas Penny talks to the exhibition organiser David Landau about his all-embracing view of one of the greatest Renaissance artists
Interview with Nicholas Logsdail: Lisson's founder in both expansive and expansionist mood
Contemporary art dealer affirms his confidence in the artists he works with by doubling the gallery space at the Lisson
The vision for The Whitney under new leadership: less isolationist; diverse, rather than deep
David Ross, the new director reveals his ideas
As Charles Saatchi's collection of young British art opens at the Royal Academy, we ask what drives the collector to buy, and risk, so much
The Art Newspaper was given access to the Saatchi archive to chart the transformations of this world famous collector’s taste
Interview with Jacques Derrida: The Philosopher sees (or doesn’t see)
Discussing “Memories of a blind man – the self-portrait and other ruins” and his choice of drawings for the exhibition in the Hall Napoleon of the Louvre, from 26 October until 21 January 1991