Interview
Interview with Robert Storr, director of the 2007 Venice Biennale: "I would recommend dramatically increasing the number of national pavilions"
In the second part of our interview with Storr, he considers the question of how to make the historic event truly representative of today’s global art world
Interview with Nicholas Penny on his plans for the National Gallery: “It is a real shame that we do not have more American paintings”
In his first interview since taking over, the new director outlines his priorities
In search of purity out of Africa: Interview with collector Jean Pigozzi
“I feel that at the time of the Medici they had my kind of rapport with their artists”
Interview with Sam Keller: “Art Basel is not a shopping mall”
Fair director Sam Keller believes his greatest achievement has been to combine culture with commerce
"It was the world's most important fair before I came, it is now, and it will continue to be after I've left": Interview with Art Basel director Sam Keller
After his intention to step down from Basel goes public, Sam Keller discusses the fair's evolution, his legacy, and pastures new at the Beyeler Foundation
Interview with Ambassador Tuttle and Mrs Tuttle: His favourite artist is Francis Bacon, hers is Agnes Martin
The new US ambassador and his wife on a marriage spent collecting
Alex Galloway, director of Content & Technology at Rhizome.org talks to Peter Schauer about the state of internet art
Keeping net art live
Interview with Francesco Bonami: The post-war Biennale and national vs. individual identity
Long live the united nations of the arts?
Interview with Sherman Lee: “Innovation, wherever it occurs, is ‘modern’, and people could be more modern in ancient times than we are now”
One of the great connoisseurs of our time, the curator of the current exhibition of Chinese art at the Guggenheim talks about Chinese art seen from within and without
Interview with a British dealer Pat Jordan Evans on her gallery's 30th anniversary
An out-of-town gallery thrives on showing gentle, figurative painters
Interview with Tate Modern's new director Vicente Todoli: “Globalisation is the essential spirit of art”
The Spaniard speaks on his 20 years of experience and his visions of the future
Art is much more important than art history
As Neil MacGregor joins the British Museum as director next month, we publish a valedictory interview with him about the experience he gained leading the National Gallery
Judith Bumpus on the launch of the BBC’s new digital arts channel BBC4
Here’s hoping that they keep their trousers
Interview with museum director and curator Udo Kittelman: “The curator should never be more important than the artist”
The new director of Frankfurt’s Museum of Modern Art is self taught (he trained as an optician), curator of the German pavilion at this year’s Venice Biennale, and passionately involved in contemporary art
Peter Weibel: “Art has become irrelevant today”
As director of this centre for arts and media technology, Peter Weibel, says that media art can be more politically engaged because it relates to the new technologies and the new economic order
Interview with economist William N. Goetzmann: 'The financial and the art markets do not crash at the same time'
In 2001, the Yale professor attributed the one- to two-year lag between crashes to the time it takes to liquidate assets
Interview with dealer Bernard Jacobson on his change of taste and direction
From Great British to stellar American art
Making up for the government's failures: Interview with Lord Sainsbury
Lord Sainsbury of Preston Candover has provided crucial support for many of Britain’s greatest art institutions
Interview with director Glenn Lowry: Commercial company to be launched by the Museum of Modern Art and the Tate Gallery
Glenn Lowry, director of MoMA, discusses the new internet alliance that marks the first time museums will use their expertise and reputations for online commercial ventures
Interview with Samuel Keller: Quality, not quantity at Art Basel 2000
The new director of the Swiss fair reveals his plans for its future
Curator interview: Tate Modern's thematic hang
An exclusive interview with The Art Newspaper about the closely guarded secret: the thinking behind how the Tate Modern has arranged its art
Bill Gates on Leonardo
The Microsoft co-founder speaks about the Italian artist's influence on Beuys ahead of an exhibition in Berlin
The house that Michael built: Interview with Michael Auping
An interview with one of the curators of this year’s Whitney Biennial as his sculpture exhibition moves south of the Texan border
Interview with John Richardson: His new memoirs as Cubism’s Falstaff
Richardson talks about his mentor and one time lover, Douglas Cooper—fiendish and funny art historian, aesthete and champion of Cubism
Interview with Guita Abidari on the Art Loss Register
Their director of marketing talks on the database against crime
Interview with Marcia Tucker on building a truly contemporary museum: “Process, not product”
Marcia Tucker, the founding director of the New Museum of Contemporary Art, New York, reviews her work of the past twenty-two years
“The mind’s eye” discussion at the Tate Gallery:“The film of Kennedy’s assassination is the Sistine Chapel of our era”
J.G. Ballard, author of The Empire of the Sun, chooses seven images and explains his passion for Surrealism and the importance that Pop Art, Francis Bacon and photography have had for him
The brains behind the Biennale: Interview with Harald Szeemann
The Biennale director who launched the “Aperto” section for young artists is now replacing it with “d’Apertutto” as the theme of Biennale ‘99
Interview with Brian Clarke on the Bacon estate: In litigation mode
The new sole executor of Bacon's estate talks in his first public interview about the teams of lawyers now working to see that the artist’s beneficiary, John Edwards, receives precisely what Francis intended him to receive. And that is everything
We must salvage what remains of the past: Interview with Johnson Chang
The guru of avant-garde Chinese art in the Eighties and early Nineties talks now of a return to tradition