Frieze

Artoon by Pablo Helguera, Frieze New York 2019, Issue 1

"No matter how hard I try to make the worst painting possible, I am always outdone by the competition"

VR market realities tested at Frieze New York

This edition of the fair has a special section of virtual reality and augmented reality works

Battle of the art fairs: Frieze New York feels the pinch as Tefaf gains ground

After contending with flooding in 2017 and a heatwave last year, some major players are heading for the Armory instead

'Should dealers reveal past prices in provenance?'

London case surrounding Brueghel painting raises questions over whether a work's full sales history should be listed—even when that shows a big markup

Frieze shareholder Endeavor returns $400m investment to Saudi Arabia

Sport and entertainment group severs ties with the kingdom’s leaders after murder of Saudi journalist Jamal Khashoggi

From the archive: Wearing its art on its sleeve—Los Angeles' enduring passion for murals

The city’s street paintings, vehicles for protest since the 1930s, continue to be a flashpoint

Confessions of a dealer: Alex Freedman

We speak to the co-founder of Freedman Fitzpatrick gallery in Los Angeles about coding, George Bush and mistaking dealers for magicians

Max Hooper Schneider: 'my fantasy army of marine-mammal people, across all genders'

The artist dives deep to create a lurid theatre from biological forms for his Frieze Los Angeles Projects commission

Confessions of a dealer: Brian Faucette

We speak to the senior director of Night Gallery in Los Angeles about art world small talk, forgotten studio visits and the resurgence of photography

Curatorsfeature

Globetrotting curators: the international search for art

Leading curators on their travel schedules, how technology shapes their visions—and whether they are aware of their carbon footprints

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Collectinginterview

Collector's Eye: an interview with Wallis Annenberg

The Los Angeles-based philanthropist tells us what she's bought and why

Lucas Blalock gives ‘pathetic’ objects a new lease of life at the ICA LA

More than 20 photographs are included in the artist’s first solo exhibition at a US museum

Doug Aitken's pop-up installation haunts LA's Santa Monica Boulevard

Don’t Forget to Breathe—three ghostly figures lit from within—are on show in an abandoned storefront

Art and entertainment worlds cosy up at Frieze Los Angeles

Having for years viewed each other with suspicion, relations between agencies and galleries may start warming up

Life lessons: what the art market learned from 2018

Georgina Adam speaks with three leading art world figures on the key events of last year and what 2019 may hold

Frieze shareholder Endeavor ‘in process’ of pulling out of $400m Saudi deal

Hollywood entertainment agency intends to return entire investment after murder of Saudi journalist Jamal Khashoggi

2018 in the market: the price is right for pale males

David Hockney was latest white male artist to set a record this year

Fairytale of New York in La-La land—artists to take over film set at Frieze Los Angeles

For Frieze Projects, artists including Barbara Kruger and Paul McCarthy will create site-specific works within Paramount Pictures Studios's fake New York city

Handbags at dawn? Haroon Mirza accuses Louis Vuitton of appropriating his solar sculptures

Artist's new works incorporate "imitation" bags and wallets in response to brand's window displays

Rachel Maclean: Brexit wrapped up in cotton candy

The Scottish video artist throws visitors into a post-Brexit apocalypse at London’s Zabludowicz Collection

In pictures: six budding stars at Frieze London

The Focus section for younger galleries and artists is always the most dynamic element of the fair

Contemporary art market cools as confidence drops

Brexit and Trump's trade war with China are affecting the mood of buyers

Collector's Eye: David Roberts

Art lovers tell us what they’ve bought and why

Hannah Perry: Paying tribute to an absent friend

The UK artist’s solo show at Somerset House remembers a collaborator after his suicide, and also explores how we process grief and trauma

Collector's Eye: Christina Makris

Art lovers tell us what they’ve bought and why

Contemporary galleries start looking to the next generation

The gallery gene does not normally survive beyond one generation, so how can contemporary art galleries survive their founders and keep their edge?