Contemporary art
Interview with Jake Chapman: “Our hunger for Goya has not waned but our horizon has widened”
On the eve of the Chapmans’ first commercial show in three years, Jake Chapman talks to The Art Newspaper
François Pinault has abandoned plans to build a contemporary museum in Paris. Will his arch rival do it instead?
Bernard Arnault, chairman of LVMH, has hired Canadian architect Frank Gehry to produce designs for a new museum
Contemporary auction sales report: Boom continues, leading to some inexplicable results
One buyer pays against the odds for Sean Scully, while new records are set for Chilida, Hockney and Baselitz, among others
News from New York: Major Beuys work tipped for Beacon, while eco-artists discuss decomposition
And Connecticut energy broker Andrew Hall buys Georg Baselitz’s collection of German art
Increased Chinese involvement at Art Basel is proof of China's contemporary art market expanding
Influential forces in the Western art world are courting potential Chinese buyers, but this market is far from mature
Interview with Cecily Brown on her UK success: “The act of looking is underrated”
After her achievements in New York, British painter Cecily Brown is having her first solo show in the UK
Inspired by collectors in Florida, a Cuban-born couple have opened a private museum
Bringing a little Miami to San Juan
Two plump catalogues prove the major auction houses can drive the contemporary market
A week of new records will leave dealers wondering how to set their prices
Interview with Malcolm Morley: Paintings about the act of painting
After 50 years, Morley is still fascinated by the potential of the medium and is not too proud to learn from a “watercolour holiday” on an English barge with amateur artists
Interview with Dennis Oppenheim on hid latest exhibition: “I could never stay with just one thing”
The veteran artist promises “truly radical” new work in his show at the Price Tower in Bartlesville, Oklahoma
Collector profile: The unstoppable Mr Kim
Businessman, artist, collector—and dealer?
Palm Beach Institute of Contemporary Art closes this month
The collectors behind the gallery have withdrawn their support
UBS art goes on show at MoMA
Founder Donald Marron has been instrumental in the acquisition of classic Modern and contemporary art
As conservatives switch their sights from art to social issues, are the culture wars over for artists?
The Bush administration and its supporters now have their guns trained on social policy
Korea's National Museum of Contemporary Art and Ministry of Culture to invest in domestic art
For the first time, public money is being put into the art scene by the Korean government
Tate, London: Contemporary art badly needed
Tate director Nicholas Serota has spoken out about the challenges facing the gallery on acquisitions
Miami collectors champion German painting, with the more traditional medium increasingly gaining favour over video works and installations
Leipzig School to the fore: “They didn’t know painting was dead”
Cuban-born Carlos and Rosa de la Cruz discuss their work as both collectors and as curators
They receive 5000 visitors a year in their house, which has become a personal Kunsthalle 16 years in the making
Rubell family transform their private collection into major museum complex
In the space of just a year, a former US Drug Enforcement Warehouse has been expanded to 40,000 square feet and now includes 18 new galleries, a conservation laboratory, a library and a sculpture garden
Marty Marguiles opens a new public exhibition space in Miami
Tracking the collector's vast collection from its inception to his newest project, 'The Margulies Collection at the Warehouse'
Frieze already an established British tradition
Although only the second edition of this contemporary fair in a tent, global collectors flocked to it and sales were frantic
Pace-setter Charles Saatchi moves out Britart, moves in paintings
Doig, Kippenberger, Dumas, Tuymans, and Immendorf take centre stage at the collector’s gallery
Do contemporary dealers still need galleries?
Larry Gagosian has just opened a new, 1,400-square-metre space in London. But is such grandeur still necessary?
Interview with Susan Hiller: Her new work Clinic and the human quest for a visionary, mystical experience
American artist’s most recent piece is based on three years of research on the internet
Alex Galloway, director of Content & Technology at Rhizome.org talks to Peter Schauer about the state of internet art
Keeping net art live
A growing number of young collectors are now buying contemporary art in Rome
Has the Eternal City overtaken Milan and Turin?
Interview with Barry Flanagan on his fascination with bronze: A tradesman, not an artist
Flanagan chooses to depict hares rather than people to steer away from the dominance of the portrait
Meet the man who wants to open a Hirst chapel in Rome
The Italian collector Carlo Bilotti has commissioned Damien Hirst to create four paintings of the Evangelists which he wants to display in a deconsecrated church
Three degrees of separation: Interview with artist Mark Wallinger
Absence is as important as presence in Mark Wallinger’s new works on show
The globalisation of the art market, the rise of mega galleries and proliferation of art fairs is putting strain on young artists, even while they reap the rewards
The market today requires that young artists have global representation, but unless they embrace Warholesque production techniques few can keep pace with the demand this entails