Contemporary art
Pace-setter Charles Saatchi moves out Britart, moves in paintings
Doig, Kippenberger, Dumas, Tuymans, and Immendorf take centre stage at the collector’s gallery
Do contemporary dealers still need galleries?
Larry Gagosian has just opened a new, 1,400-square-metre space in London. But is such grandeur still necessary?
Interview with Susan Hiller: Her new work Clinic and the human quest for a visionary, mystical experience
American artist’s most recent piece is based on three years of research on the internet
Alex Galloway, director of Content & Technology at Rhizome.org talks to Peter Schauer about the state of internet art
Keeping net art live
A growing number of young collectors are now buying contemporary art in Rome
Has the Eternal City overtaken Milan and Turin?
Interview with Barry Flanagan on his fascination with bronze: A tradesman, not an artist
Flanagan chooses to depict hares rather than people to steer away from the dominance of the portrait
Meet the man who wants to open a Hirst chapel in Rome
The Italian collector Carlo Bilotti has commissioned Damien Hirst to create four paintings of the Evangelists which he wants to display in a deconsecrated church
Three degrees of separation: Interview with artist Mark Wallinger
Absence is as important as presence in Mark Wallinger’s new works on show
The globalisation of the art market, the rise of mega galleries and proliferation of art fairs is putting strain on young artists, even while they reap the rewards
The market today requires that young artists have global representation, but unless they embrace Warholesque production techniques few can keep pace with the demand this entails
Is it a bird? A plane? No, just a G-string: Interview with artist E.V. Day
E.V. Day on thongs, Stealth Bombers and why her latest work stretches elasticity to its limit
How the Pentagon is (indirectly) helping restore Chinese cave paintings
American engineers are preparing to introduce the latest military espionage equipment to Dunhuang
What’s On: rest of US commercial galleries
Delia Brown: getting hung up at a collector’s home en route to the museum. Margo Leavin Gallery, Los Angeles
London aims to step into the big league
Dealers are planning new, original display techniques
Paula Rego: prints of darkness
After 40 years, the Portuguese-born artist is still surprised by the images she creates
After MassMoca, Dia, Tate Modern—Shawinigan's new exhibition space
Offshoot of the National Gallery of Canada opens in rural Quebec
Interview with artist Richard Long: Still walking, after all these years
Long’s latest show is a collaboration with Indian tribal artist Jivya Soma Mashe
The art of allusion: Interview with Damian Loeb
Damian Loeb’s work relies on the viewer’s recognition of the visual sources that he quotes liberally
Interview with John Wood and Paul Harrison: “I like the little one”
John Wood and Paul Harrison’s minimal, deadpan performances make complicated references to the art world of the past—with a dash of slapstick
This summer, the "Kasimir Malevich: Suprematism" exhibition is to travel from Germany to the USA
Organised by the Guggenheim Foundation and the Menil Foundation, works presenting the Russian avant-garde's embrace of abstract art will be displayed
Best of London commercial galleries chosen by Louisa Buck
Chantal Joffe, Victoria Miro
Contemporary sales report: Storm warnings prove inaccurate
Problematic Warhols hinder Christie’s but Sotheby’s sparkles with Richter Riley, Barceló and Flanaghan
At ArteFiera in Bologna emerging artists were more popular than the big names
“Collectors want something new”
Interview with a British dealer Pat Jordan Evans on her gallery's 30th anniversary
An out-of-town gallery thrives on showing gentle, figurative painters
'Painting not painting' broadens horizons at Tate St Ives
Terry Frost exhibits new works alongside those which inspired them
Charles Saatchi plans an alternative Turner prize, Blue Gallery opens again, and gazumping in Vauxhall
What's going on in London: Art on the move
Days like these: Tate triennial of contemporary British Art 2003
Theme-less this year, the triennial covers all generations and styles
Tracey Emin follows up book buzz with a retrospective down under, but will the Aussies approve?
The Art Gallery of New South Wales plays host to her new show
Diary of a London dealer, Nicholas Logsdail: “I think I changed the landscape”
Why the art market is holding up as stock exchanges plunge, and why there are 10 times more collectors than in 1990
Interview with Michael Landy post-'Breakdown': New directions and championing of the urban weed
Last year Michael Landy meticulously catalogued and then destroyed all his material possessions. For his latest show he has photographed and etched the plants that grow spontaneously throughout the city
Interview with Steven Assael: Painting, the fullness of experience
The foremost figurative painter of his generation, talks about his passionate commitment to the art
