Collectors
Arts of Pacific Asia Show: Mid-price treasures for new and younger collectors
Works from the Southeast Asian countries vie with the more traditional Chinese and Japanese selections
Turin gets a private museum of decorative art
Pietro Accorsi's long wait to showcase his collection is over
Ritzy auction prices for homespun objects: American Arts and Crafts design receives boost in popularity from Barbra Streisand
“At least thirty collectors are spending $200,000-500,000 a year at auction” on this branch of the decorative arts
Dealers deem London Old Masters market scarce but stable
While a broad consensus emerged that sales remain solid, the demand for quality pictures outstrips supply, causing frustration among serious collectors
The Old Masters trade: Scarce but stable
While the market remains largely stable in Europe, the demand for quality pictures, fuelled by thriving European economies, outstrips supply
The Old Masters market in Germany seems stable but are the collectors a dying breed?
Trade at home is still strong, but Germany is looking for business beyond its borders
Thea Westreich, the visionary US art advisor whose grasp of the system determined the Kramlich Collection's success
She is the bridge between the private collector and the public
Collector interview: Berlin poor but crucial
Erika and Rolf Hoffmann open their collection in Berlin
The rebirth of Florence's Villa Stibbert
Director Cristina Aschengreen-Piacenti has pioneered the project, refusing to allow the residence of a great Anglo-Florentine collector to fade from memory
Buyers galore but a bit of a bore: Art Basel 1999
Collectors came out in force, but much of the art on show was not as exciting as that seen at Venice or offered by the auction houses
Ashmolean shows Renaissance bronzes with Daniel Katz
Centenary of collector, C.D.E. Fortnum, celebrated with exhibition and lectures at Society of Antiquaries
The lives of the collectors: J. Pierpont Morgan. Everything but the art
This blockbuster biography records the life of the American financier in exhaustive and exhausting detail, but fails to tell the story of his collecting
Lives of the collectors: Norton Simon and Hans Berggruen. Culture clash
Similar in many ways, the subjects of these two biographies present contrasting styles of operation in the art market
The taste of the spectacularly wealthy Palm Beach
Dealers come to share in the benefits of no income tax whatsoever
Charles Saatchi announces gift of 100 works of art, worth £500,000, to the Arts Council Collection
Is the gift an act of virtuous self-regard?
Collector interview: Peter Maenz. “It felt like home”
The former Cologne art dealer has given, lent, and sold parts of his collection to Weimar, in eastern Germany
Lives of collectors: a faux Frick biography
This biography of Henry Clay Frick takes a psychological approach that leaves much to be desired
Collector profile: Jan Mitchell's antiquities and the search for "the philosopher’s stone"
The man behind the Mitchell Prize, awarded last month, is also a major collector of Pre-Columbian gold sculpture
Collector profile: Eli Broad. 'Real entrepreneurs don’t collect Old Masters'
Eli Broad speaks about how he cultivates culture in Southern California
"Renaissance women patrons, wives and widows in Italy, c. 1300-1550"
Catherine E. King's book reviewed
The Potsdamer Platz is reborn this month as Daimler-Benz turn property developers and collectors
Will public art by Koons, Rauschenberg, Tinguely and Haring humanise this vast complex by Renzo Piano?
Timothy Mowl's William Beckford biography casts the famed collector as "a sexual and architectural Lucifer"
The story of the Regency dilettante, eccentric and collector is told in all its scandalous detail
Collector profile: Sir Paul Getty's two weaknesses, books and cricket
Over twenty-five years this Anglo-American has built up a great library of early books, manuscripts and incunabula
Collectors’ profile: “America’s model millionaires”
Computer-glitch software, Norton Utilities, has made the fortunes of Peter and Eileen Norton
Collector Paula Cussi funds Tate Freud exhibition despite export altercation
“Lucian Freud: Some New Paintings” is on show until 26 July
Probing provenance: The importance of due diligence and insurance for defective title
The recent, widely publicised dispute over the provenance of two paintings by Egon Schiele, withdrawn last year from a loan exhibition at New York’s Museum of Modern Art on the grounds of contested ownership, offered a vivid illustration of the problems facing museums and private collectors who may find themselves having to prove good title to their possessions
Top collector Werner Bokelberg suing for over $1.7 million-worth of “vintage” Man Ray prints
Magnificent Man Rays turn out to be too good to be true, throwing doubt over other collections of his work
A survey of Ten Latin American collectors
Unsurprisingly, most of these collections strongly represent the art of their own country
A famous collector sells up: punitive Spanish export laws induce me to sell, says Jaime Ortiz-Patiño
Golf is the new passion of millionaire who has sold Impressionists and French decorative art to the tune of $91.48 million since 1989