Cambridge

Glenn Ligon in Cambridge, new Gauguin biography, Teresa Margolles’s Fourth Plinth commission — podcast

The American artist on his interventions at the Fitzwilliam Museum, a chat about a new publication exploring Gauguin’s complex character, and the details on a new London sculpture paying tribute to trans, non-binary, and gender non-conforming communities

Island hopping: exhibition finds connections between ancient cultures of the Mediterranean

Show at Cambridge's Fitzwilliam Museum of more than 200 artefacts from Sardinia, Cyprus and Crete considers the connections between lost island civilisations

David Hockney is ‘compellingly perceptive’ even though he may be wrong about perspective

The historian Martin Kemp tells us what it was like co-curating a new show of the artist’s works, displayed amongst the masterpieces of the Fitzwilliam Museum in Cambridge

At a Cambridge University college wrestling with its imperial past, Shahzia Sikander’s show offers new ideas on restitution

As Jesus College confronts its ties to slavery, the Pakistani Neo-miniature artist asks whether decolonisation need necessarily be a violent process

Cambridge University college becomes first UK institution to return looted Benin bronze to Nigeria

Following restitution of a cockerel sculpture by Jesus College, the University of Aberdeen will hand over another looted artefact in a ceremony today

Linder's provocative cut-outs come to Kettle's Yard

For her retrospective, the artist has made a series of interventions in the Cambridge museum including creating special staff uniforms and a café menu

'Overlooked' pioneer of Abstract Expressionism Richard Pousette-Dart gets first UK show

US artist was first of New York group to create large-scale paintings—before Jackson Pollock

Kettle's Yard—where Modern art meets pot plants and pebbles—reopens after two-year facelift

House-museum in Cambridge now has “world-class” conditions for future exhibitions, says its director

Leonardo reunited in Cambridge

The Fitzwilliam acquires the missing half of its 'A rider on a rearing horse'