Books
Painting outclassed by bricks and mortar: on the arts in Rome under Clement VIII
Did the arts really flourish the Pope's patronage?
Badlands Unlimited launches series of e-books by artists
Rachel Rose and Howie Chen are among the first artists to work on the new project
Flavour in the grain and on the surface: on the Ellsworth Kelly catalogue raisonné
How Ellsworth Kelly’s art came of age
Where did it come from? On developments in icon painting
The source of a major change in icon painting may have been discovered
The false Gods of Dada: on Dada Presentism by Maria Stavrinaki
A new book on the movement draws lessons on the dangers of eclecticism
More royalty required: on the al-Sabah Collection
The non-courtly manuscripts and miniatures of the al-Sabah Collection come together in a new publication
The power of the imagination: on Bernini's drawings
His drawings in the collection of the Vatican Library are the subject of a new book
The Divine Comedy, a German classic: on Dante's German debut
After Schlegel, Dante was loosed from the Romantic moorings and entered the mainstream of German letters
Deutschland über alles? On the early Renaissance art market
Contrary to popular opinion, the Early Renaissance German art market developed simultaneously with, not later than, those in Italy and the Low Countries
Vision, virtuosity, versatility: on Hellenistic bronzes
A valuable overview of the current state of scholarship
Only for the rich: Islamic art is overshadowed by morally questionable Gulf labour conditions
Jane Jakeman reviews two very different takes on art in the Middle East
The world’s richest street: Roger Crowley on the cosmopolitan culture of Renaissance Lisbon
A national obsession with prostitution: Hannah Stamler on 19th-century French depictions of prostitution
A book looking at Modern images of prostitutes is lacking in necessary context
Robert Motherwell at 100: Gregory Gilbert reflects on the artist’s centenary
New research into the artist's work has offered new perspectives, but much work remains to be done
A lifelong dedication to Gothic architecture: Peter Howell on A.W.N. Pugin
The final instalment in the collected letters of a revivalist pioneer
Full of prim euphemism: Brian Dillon on Dave Hickey’s 25 Women
The book’s finest points are overshadowed by dispiriting foolishness
Time was of the essence: on Impressionism versus Realism
In the battle with tradition, Impressionism’s “triumph” was not a foregone conclusion
Political paganism: how the Lord of Rimini developed his own brand of Christianity
Sigismondo Malatesta embraced Christ on his own terms
The human spirit and condition without tears: David Anfam on the Rothko family
Mark Rothko’s son reflects on his father’s art
Impossible figures, strings and fractals: where art meets math
A consideration of the interconnections between disciplines
Cool doesn’t cut it: Andrew Lambirth on painting today
The presentation of painting all too often undermines the nature of true invention
How British silver seduced 17th-century imperial Russia
It was a case of international economics and politics in kettles and coolers
The Hessian Minerva: on the collector Karoline Luise of Baden
Two appreciations of the remarkable 18th-century artist and collector
Not a heretic after all: on Francesco Botticini’s heavenly vision
A new book is an exemplary study of the artist
The Reich’s romance with the Renaissance
How Germany fashioned its identity through 15th- and 16th-century Italian art