Art market
Diary of a dealer: veteran Asian art dealer Robert H. Ellsworth states “provenance is worth one-third of the price”
The market is driven by supply and demand and not by collectors’ taste, says veteran dealer in Asian art
With Sotheby's and Christie's allowed to hold sales in Paris for the first time, can Paris regain its lost place in the art market?
A new French revolution?
A new head of Asian art at Phillips: Interview with Colin Sheaf
“London remains a huge centre for collectors all over Europe”
At Asian Art Week in London dealers, scholars and collectors congregate for major shows and great parties
Fifty-two participants will exhibit everything from Indian statue jewels to Islamic tiles
Former Christie's director launches online venture eAuctionRoom.com
“We are a technology platform, not an auction house,” said Mark Poltimore in 2000. The onetime auction boss wants to make European sales more accessible to US and UK audiences
Rembrandt’s Venetian influence: Hanging around New York, a monthly guide by Brook S. Mason.
And bounty of decorative arts including Chinese porcelain and Mendini furniture
Ads for art get professional with a $6 million budget for eyestorm.com
A slick campaign of prominent ads for multiples by contemporary artists is being counted in London, New York and San Francisco
Collector profile: Gustav Rau, Schweitzer redivivus
A doctor in a remote village in the Congo, part of Dr Rau's thousand-strong collection is on display now in Paris.
Diary of a US dealer: Fred Hill of Berry-Hill. European museums turn to American landscape
And a wider range of stock attracts more collectors
Bernard Arnault buys Art & Auction
The French chairman of Louis Vuitton Moet Hennessey and Phillips auction houise may turn the publication into a luxury lifestyle magazine
Art and archaeology falls casualty to the Chechen war
The collections of two museums in Grozny have disappeared and the region’s distinctive stone towers are caught in the crossfire
What's on in London: Fischl’s phases at Gagosian, suburban subversion at Anthony Wilkinson, and dysfunctional families at Gimpel Fils
Meanwhile there is clutter in the Cabinet, recent Kossoffs at Annely Juda, and randomised exactitude at Corvi-Mora
Diary of a US dealer: Douglas Heller. Crafting a market for contemporary glass
As the SOFA fair of contemporary decorative arts comes to New York, we talk to a leading dealer in the field
Collector profiles: Nancy Olnick and Giorgio Scanu of New York and Madame M. of Paris. The modern charm of Art Deco
These collectors agree that the market has risen so much as to make buying almost impossible
Interview with director Glenn Lowry: Commercial company to be launched by the Museum of Modern Art and the Tate Gallery
Glenn Lowry, director of MoMA, discusses the new internet alliance that marks the first time museums will use their expertise and reputations for online commercial ventures
Interview with Samuel Keller: Quality, not quantity at Art Basel 2000
The new director of the Swiss fair reveals his plans for its future
London galleries: The naked Cubes
Sadie Coles in an eastward position, the Lisson and Tim Taylor times two, photography at Frith Street and Maureen Paley, plus powerful juju at Anthony Reynolds
Collector interview: Lew Manilow on art and Chicago
It is fifty years since this collector and essentially American philanthropist was turned on to art while at Harvard. He has been an integral part of the art establishment in Chicago for decades
Diary of US dealer Ann Freedman: No websales, please; only the personal touch
The president and executive director of Knoedler’s encourages collectors to become museum patrons and supplies major museums with works of art
Hanging around New York: Collector-patrons for Knoedler’s 159-year history
Picasso for the blind at Wildenstein and a bevy of Latin American paintings exhibitions
How the internet will change the art market: the new kids on the block are smarter than you think
The advice on how to be successful in the online world offered here in 2000 centred on building a community and having a shared sense of purpose and trust
A London Victorian watercolour collector sells up. “With contemporary art you know there will be another work around the corner”
An American financial market strategist has put together a major collection of nineteenth-century British watercolours.
How Artprice.com raised $24 million on the Nouveau Marché
Part owned by Bernard Arnault’s luxury group, this auction price database has huge expansion plans
Sotheby’s executive vice-president talks about their online venture and the importance of auctions on the web
A brand new tribe of collectors and buyers is coming
Diary of a dealer: the American Modernism dealer, Hollis Taggart
Rising prices and increasing prestige for certain artists as collectors awake to Modernism’s sleepers
Lewis Hine prints under scrutiny as hundreds are found to have been posthumously produced
Many Lewis Hine images have been printed after his death without authorisation, some on papers from as late as the seventies
Christie’s close down Spink and take over the building for corporate headquarters
Serving a possibly premature coup de grâce to the oldest art dealership in the world
Disappointing sales for sothebys.com
Only a quarter of the lots are selling, mostly at prices under $5000
Greek art market in crisis due to weak and badly enforced laws and taxes
Very little support for the art scene from the tax system and, as in Germany, an outdated distinction between “original” works of art, subject to 9% VAT, and multiples (prints, digital works, photography etc), subject to 19%
Arts of Pacific Asia Show: Mid-price treasures for new and younger collectors
Works from the Southeast Asian countries vie with the more traditional Chinese and Japanese selections


