Art market
From our archives: 15 years ago this month—A flood of fakes from Jingdezhen
Forgers reportedly work to order from Sotheby's catalogues
Stop at Nothing was the apt title of an exhibition of post-war Italian art at Alon Zakaim’s London space in October
There seems to be no limit to the number of works that are being snapped up, ranging from those by the acknowledged superstars of the period—Lucio Fontana, Alberto Burri, Piero Manzoni—to lesser-known names that are coming out of the woodwork to meet extraordinary demand
The jewel with a sparkling history
Secret legacies, family feuds and the aristocratic rakes who couldn’t resist a bet
London gallery Colnaghi joins forces with Spanish dealers
Mayfair stalwart gets "new lease of life" in merger with Coll & Cortes
Fiac dealers unsettled by Frieze date change
Art world will have to rethink its schedule as London fair moves earlier in the month
Photo collection dedicated to women to be sold in Paris
Italian fashion photographer Amedeo Turello has amassed 200 images over more than 20 years
Newcomers shake up Paris art fair scene dominated by Fiac
Paris Internationale and Asia Now look to attract art world footfall
Dispute over Venetian painting seized by Vichy regime resolved after more than 70 years
Late 18th-century Vincenzo Chilone regatta scene once owned by John and Anna Jaffé is due to be sold at Christie’s
London and New York forge ahead
Forget opening galleries in far-flung territories—globalisation is benefiting the traditional hubs
'We took a big risk: new venue, new name, same team'
Dmitry Aksenov, the chairman of viennacontemporary, speaks to us about the Austrian capital's latest fair
Vienna’s newest fair shows hidden gems of central and eastern Europe
After splitting from Viennafair, viennacontemporary focuses on countries that lack strong art markets
Christie’s announces new April curated sale and consolidated spring calendar
The “Revolution” sale anchors five other auctions moved from the winter
How to run a gallery: three threats you can’t ignore
Dealers in contemporary art are being warned that their disregard for a cocktail of new challenges is not a sustainable option, and that they will have to adapt if they are to survive in an evermore competitive environment
Double vision: the grey area of ar tistic appropriation
US copyright law is no longer fit for purpose as courts are forced to make artistic judgements in “fair use” cases
Made in Italy but open to the world: Florence antiques biennial's new director aims to draw an international crowd
More foreign dealers could help the fair attract a wider audience—with a little help from Jeff Koons
Fontana and Burri take centre stage in London’s galleries
Italian auctions trigger a surge in the country’s post-war art, and the city’s dealers answer the demand
Four reasons high-end design is back in style in London
After several stagnant years, the market for design is reviving
Maya Angelou's collection hits the block today
Author and civil rights activist believed that art “broadened" a person's perspective of the world