The Art Newspaper
Peeling potatoes, painting pictures: women artists in post-Soviet Russia, Estonia and Latvia
Renée Baigell and Matthew Baigell's book reviewed
Restoration of Italian works sponsored by makeup giant
Estée Lauder makeover for Santa Cecilia
Warhol exhibition arrives in London
This show has been in Berlin, and will next travel to Los Angeles
Wolfgang Tillmans and Shirin Neshat side by side in Turin shows
Photography and video art at Castello di Rivoli
The ideal and the reality explored by Marc Quinn retrospective at Tate Liverpool
The exhibition features works made from Carrara marble and placenta
Seeing Things: photographing objects 1850-2001
Canon Photography Gallery, Victoria & Albert Museum
Women who ruled: queens, goddesses, Amazons, 1500-1650
University of Michigan Museum of Art
Warhol reexamined at the Tate
At the close of the century, Tate Modern looks back at one of the biggest names in 20th-century art
Tate on the American sublime
Tate Britain looks at landscape painting in the US, 1820-80
Buried in the BBC archives since 1959, and published here for the first time, an interview with one of the founding geniuses of twentieth-century art, Marcel Duchamp.
Talking about his readymades and his most complicated work “The large glass”, now in Philadelphia, Duchamp reflects on how little he meant to people in the late Fifties, when the painterliness of Abstract Expressionism ruled
Jenny Saville and Glenn Luchford at Gagosian Gallery, Los Angeles
This remarkable photographic collaboration depicts Saville pushing her body against a pane of glass
Eyestorm, the internet print publishing company, is financially thriving
Launched at the height of the internet boom in 1999, it has to date received $24 million of capital funding
Counter Editions, the internet publisher working with artists to create original prints, is now self-funding and prospering
The small firm's success lies in their acquisition of big-name artists
Appealing to first time buyers, The Multiple Store is a non-profit company working in a minute office in the Central St Martin’s Art School painting department
The company has a website and you can browse through all the work but can not buy online.
Painted ladies: women at the court of Charles II, 1660-85
Yale Center for British Art, New Haven
Sandra Blow at the Tate St Ives
Blow is back in Cornwall with a bright new crop of works
Canadian government asks museum to end self-censorship
“The Lands Within Me: expressions by Canadian artists of Arab origin" postponed following 11 September attacks
Now you see it, now you don’t: restorers wash Leonardo drawing away
Catastrophe strikes as restorers use routine conservation method
Anselm Kiefer on a massive scale at the Beyeler Foundation
The German master of the mythical and grandiose puts on a large-scale overview show
Art Basel Miami Beach postponed for a year
It became apparent that hosting the imminent art fair would be unfeasible due to shipping and insurance issues
Porn maybe, but no prudery or prurience
This exhibition on the Victorian nude reveals our own obsession with sex
MoMA art to move to Berlin during renovation
Highlights of the collection are starting a world tour with a stop at the Nationalgalerie
Abundance of sophisticated fakes in China causes widespread worries
“The forgeries business is in full swing”
Photography this month in London: The camera obscura shines at Shine
Erwitt’s wit at HackelBury, Israeli environmental views at Andrew Mummery and delightful Doisneau at Hoppen
Plans for Iran exhibition at British Museum shelved as sponsor withdraws in aftermath of Twin Tower bombings
The exhibition, which would have highlighted the creative flourishing facilitated by members of Iranian royalty, may still become a reality in 2004 or 2005
Jeffrey Deitch exhibition contemplates the human condition in Turin
The Castello di Rivoli again plays host to Deitch's explorations of contemporary art
Norwich's Sainsbury Centre for Visual Arts marks 100 years since Giacometti's birth
Sir Robert and Lady Sainsbury's personal connection to Giacometti meant the committee had no trouble engaging lenders