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The Art Newspaper

In the framenews

An intimate look at Kate Bush

The Art Newspaper
In the framenews

Cate Blanchett to deliver artists’ manifestos at Park Avenue Armory

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In the framenews

Loris Gréaud’s movie for one at Lacma

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In the framenews

MTA opens platform for artists

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In the framenews

Walter Sickert: the Richard Prince of the 1930s

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In the framenews

Joint London exhibition for Norwegian royal and A-ha star

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In the framenews

UK artists limber up for Rio Olympics

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In the framenews

Brothers gonna work it out

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In the framenews

Artist’s friends rally round for charity auction

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In the framenews

The Walker Art Center gets $1m for more live art

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In the framenews

When Hans Arp pushed his dealer too far

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In the framenews

Rome rocks to the sound of The Boss

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In the framenews

David Bowie’s art and design collection heads to Sotheby's

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In the framenews

Wanted: curators willing to twerk

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In the framenews

TAN staffer turns blue in Hull for Tunick

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In the framenews

Artists are feeling fruity in the Pineapple Show

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In the framenews

Seeing double at Art Fund shindig

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In the framenews

Arad's dazzling, dangling blade at St Pancras International

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In the framenews

Cattelan’s saucy spaghetti car

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In the framenews

Sydney Biennale turns 21

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In the framenews

Ai Weiwei to festoon Palazzo Strozzi facade with lifeboats

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In the framenews

Cracking 4th July fireworks without the bang

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In the framenews

Royal sum of £2.7m raised so far for Elizabeth I portrait

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In the framenews

Arty one-nighter in London's hidden haunts

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In the framenews

Virtually Vincent

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News

Dalí foundation has no legal standing to protect artist’s image, Spain’s Supreme Court rules

The court dismissed an appeal from the Gala-Salvador Dalí Foundation in its lawsuit against a Barcelona exhibition production company

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In the framenews

Ground control to Major Longly

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In the framenews

Holzer’s poetry set in stone on Ibiza

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In the framenews

Glastonbury 2016: Adele, Coldplay, Martin Creed

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Comment

What is art for? Taking risks and looking for ‘essential value’

The hedge fund manager and art collector J. Tomilson “Tom” Hill III explains why a work’s staying power is more important than its market price

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