The results are in: the real impact of Covid-19 on the art market
Plus, Dawn Ades on Duchamp and Superflex on Cildo Meireles
UK culture war: how should museums confront colonialism?
Plus, craft and American identity and critic Michael Peppiatt on Frank Auerbach
Old Masters meet Brutalism: inside Frick Madison in New York
Plus, the story of a notorious forger and artist Collier Schorr on August Sander
WTF are NFTs? Why crypto is dominating the art market
Plus, artist Doug Aitken on composer Terry Riley
'Black grief and white grievance' at New York’s New Museum
Plus, artists with disabilities in the Covid era and Goya's Disasters of War
Stonehenge: could a road tunnel ruin the ancient site?
Plus, French museums revolt against lockdown closures and artist Crystal Fischetti on Karla Black
The fight against Putin: artists on the frontline
Plus, India reconstructs its history and Navid Nuur on Walter de Maria
A brush with... Tala Madani
An in-depth podcast conversation on the artist's big influences, from Francis Bacon to Miles Davis
New normal for Old Masters: Botticelli's record online sale and new AI research on Leonardo's Salvator Mundi
Plus, Gerard Byrne on his work inspired by a Swedish diorama
A brush with... Charles Gaines
An in-depth podcast conversation on the artist's big influences, from Frantz Fanon to John Coltrane
What will Biden-Harris do for the visual arts?
Plus, QAnon's origins in Italian conceptual art and Alphonse Mucha's Slav Epic
Art Nouveau pioneer Alphonse Mucha’s Slav Epic finds a home at last—and it’s designed by Thomas Heatherwick
Monumental cycle of 20 paintings will be displayed in the Savarin development in central Prague
A brush with... Tal R
An in-depth podcast conversation on the artist's big influences, from W. G. Sebald to Georges Rouault
The white supremacist art at the heart of the US Capitol
Plus, a $2.2m Batman comic and the artists inspired by political theorist Hannah Arendt
A brush with... Tracey Rose
An in-depth podcast conversation on the artist's big influences, from Duchamp to Deep House
A brush with... Rachel Whiteread
An in-depth podcast conversation on the artist's big influences, from Bruce Nauman to George Orwell
2020: the year in review
The Art Newspaper team picks apart this year's biggest art stories, from the art market heading online to the fight for racial justice
A brush with... Roni Horn
An in-depth podcast conversation on the artist's big influences, from Icelandic glaciers to Emily Dickinson
Brexit: how will it change the art market?
Plus, Neville Wakefield on John McCracken's planks
A brush with... Christina Quarles
An in-depth podcast conversation on the artist's big influences, from epic musicals to James Baldwin
Contemporary public art: who is it for?
Plus, Tom Sachs on Mondrian's Broadway Boogie-Woogie
A brush with... Ragnar Kjartansson
An in-depth podcast conversation on the artist's big influences, from Elizabeth Peyton to Cardi B
Is the future of museums in Africa?
We speak to museum experts András Szántó and Sonia Lawson. Plus, Dan Hicks on the legacy of colonial looting and National Gallery curator Christopher Riopelle on the Polish painter Jan Matejko
Revisiting the Thanksgiving myth: the Mayflower and the Wampanoag, 400 years on
Plus, artist Chantal Joffe on a poignant painting by Paula Modersohn-Becker
Where art fairs still happen: the Shanghai buzz
Plus, Chila Kumari Singh Burman and the art work that inspired that Biden-Harris video
US election: How Trump’s presidency has affected the arts
Plus, artist Pedro Reyes on his New York project; cartoonist Martin Rowson on Hogarth
Has coronavirus helped unmask the real prices of art?
Plus, JMW Turner at the Tate and John Stezaker on Bruegel
The great museum sell-off: should public collections deaccession to survive Covid-19?
Plus, the artist Jennifer Packer on a Buddhist mural in the Metropolitan Museum of Art in New York
What does the Philip Guston delay tell us about museums and race?
Plus, Maggi Hambling on making love with paint
Frieze: the show goes on. Plus, Theaster Gates
It’s Frieze Week in London, yet there’s no big art fair at its heart. Can galleries create the usual excitement—and is anyone still buying?