
Julia Michalska
Julia Michalska is the Interim Co-Editor of The Art Newspaper. She is also the Deputy Editor and Digital Editor, as well as the creator and producer of the award-winning podcast The Week in Art
Documenta takes aim at neoliberalism, capitalism and abuses of power
Its artistic director has made a point of showcasing lesser-known artists, and most impressive is the work by artists of African descent
Münster expands definition of what public sculpture can be
The survey show in Germany takes place only once every ten years, which gives it a unique perspective, says its organiser
Three to see: London
From the subterranean delights of East London to Sargent’s lesser-known paintings
Wilhelm Sasnal returns to Basel with fond memories
Polish artist’s career took off in the Swiss city
Power of pride: artists champion LGBT causes at Art Basel
Transgender empowerment among causes tackled at this year's fair
What is the market for Documenta 14 artists?
The German quinquennial shuns the market, but Art Basel dealers are still capitalising on the visibility it brings
Animal rights activists attack Documenta 14 artist’s studio
Aboubakar Fofana’s project includes indigo-dyed sheep
Sculpture Projects Münster 2017: the essential things to see
Sculpture is redefined in the once-every-ten-year German festival
Documenta 14 to collaborate on show in Luanda
Exhibition in Angolan capital will feature artists of African descent who are participating in the German quinquennial
Documenta 14 in Kassel: an instrument of soft power
Artistic director Adam Szymczyk builds on highly-political themes of earlier opening in Athens
Greece is the word: what curators made of Documenta 14 in Athens
Nicolaus Schafhausen, Stefanie Rosenthal, Clara Kim and Katharine Stout on the good and the bad of the German quinquennial
From Athens to Kassel: Documenta on the move
The second part of the 14th edition of the show, in its familiar German home, will pick up on the themes explored in the Greek capital
All about Adam: a profile of Documenta’s activist director
Adam Szymczyk’s decision to open Documenta 14 in Athens is just the latest bold gesture from a curator unafraid of controversy and fêted by artists
Documenta and non-profits bring new life to Athens art scene
As Greece’s state museums grapple with funding cuts and bureaucracy, independent spaces pick up the slack
Documenta opens in Athens with emphasis on performance, politics and little-known artists
The show has been criticised for neglecting the Greek artistic scene but praised for supporting state-run museums in the city
Three to see: Athens
What to take in besides the big Documenta 14 show in the Greek capital
Director of Poland’s Second World War Museum dismissed
Move comes after court ruling allows right-wing government to create new Gdansk institution
Politics and performance take centre stage at Documenta 14 in Athens
Quinquennial contemporary art exhibition opens in a different city to Kassel for the first time
No smoke without fire: Documenta 14 unveils first work in Kassel
A smoking chimney billows for the start of the quinquennial event
Best shows during Art Basel in Hong Kong
Prowl around with Adrian Wong's tiger before singing in a choir at Spring Workshop
Münster Sculpture Projects 2017 unveils artist line-up
Thomas Schütte and Jeremy Deller among artists from 19 countries to take part in the once-a-decade event
Louvre shuts after knife attack of ‘terrorist nature’
Man was shot after attacking soldier near entrance of Paris museum
Behind the scenes of Poland’s €100m art deal
Not everyone is happy that the country has bought the prized Czartoryski Collection, which includes Leonardo da Vinci’s Lady with an Ermine
Poland's Second World War museum under threat after court allows controversial merger
Shortly before opening, the €100m institution has become a battleground over Polish history
Berlin and Biesenbach, 25 years on
Klaus Biesenbach recalls co-founding the city’s influential KW Institute for Contemporary Art as a medical student
Poland's clampdown on its cultural institutes
Series of high-level dismissals shows the right-wing government’s tightening grip on the arts
Three to see: London
From Malick Sidibé’s black-and-white photos of Bamako’s youth culture to Ken Price’s bright and colourful ceramics <br> <br>