Tate
Watchdog criticises Tate for Ofili purchase
The Charity Commission is now investigating all acquisitions made from artists while they were serving as trustees
Ziggurat extension for Tate
Designed by Herzog & de Meuron, this addition to the museum will provide much needed exhibition space
How the US National Gallery and Tate were beaten to Turner masterpiece
The Dark Rigi has become embroiled in murky legal waters
Sotheby’s Holbein will not be included in Tate show
Neither will the National Gallery’s Ambassadors which was judged too fragile to travel across London
Official u-turn over Tate's museum status
MLA director apologises as Tate reserves right to decide over national accreditation—without loss of privilege
News from London: Wyn Evans lights up night sky while Koons goes green in the V&A
The Tate Triennial might be a critical damp squib, but the veteran artist Cerith Wyn Evans made sure the opening went with a bang
Tate is not a museum: Gallery could lose privileges
As it is not accredited by the Museums, Libraries and Archives Council due to its deacquisition guidelines
Tate considers National Gallery’s proposal to show early 20th-century art
Trustees discuss idea following our report
Dealer’s decision to break up William Blake album branded “philistine”
The Tate could not raise the money to buy this unique portfolio. Will a US museum save it before it is dispersed at Sotheby’s?
Without a trace: Interview with Tino Sehgal
Tino Sehgal refuses to document his work, rejects written contracts, and only takes cash
Kapoor succeeds Ofili as Tate Trustee
Meanwhile the Charity Commission investigates purchase of The upper room
Ofili controversy at the Tate will lead to greater openness
After Tate resisted the release of the sums paid for Ofili's 'The Upper Room', Tate will now more often disclose the price of works bought from artist-trustees.
National Portrait Gallery: more transparent than Tate
Commission sum disclosed for Tom Phillips, unlike the purchase of "The Upper Room"
Tate considered buying Ofili installation with US collector
The controversy over the institution’s acquisition of a work by one of its trustees rumbles on
Tate struggles to attract money for acquisitions
A year ago the gallery launched a campaign to raise £100 million. Since then, £50,000 has been pledged from donors
National Gallery may start acquiring 20th-century art
The move would put the institution in competition with Tate
Another side of the mystery Tate/Ofili deal
How Tate bought The Upper Room remains shrouded in mystery and redactions
Outside curators buy for Tate at Frieze
This year's haul included video, installations, and photos but no paintings
Jeff Wall: Year-long exposures at Tate Modern
An overview of his career and a major new work
Tate withholds information in defiance of government guidelines
The gallery will not disclose the purchase price of 13 paintings by trustee Chris Ofili
Final effort for Tate to save Reynolds’ Archers
The Tate continues to fiercely pursue their fundraising campaign in the hopes that this great work may remain in the UK
Will Reynolds’ Archers stay in the UK? A look at Tate's fundraising efforts and the effects of the Waverley Criteria
Tate needs over £2 million to buy the £3.2m painting from an overseas buyer
Will Tate save a set of William Blake watercolours?
The museum is trying to raise £8.8 million to keep the works in the UK
Reynolds’ Portrait of Omai to remain in the UK, but in private hands
The painting which was bought at Sotheby's was banned from leaving the country - now what?
Making space speak: An interview with Richard Wentworth
Richard Wentworth’s mid-career survey at Tate Liverpool is more of a remix than a retrospective
Tate refused previous offer from Saatchi
Serota said no to 100 works in 1998, but is still keen to buy “major” pieces
Tate, London: Contemporary art badly needed
Tate director Nicholas Serota has spoken out about the challenges facing the gallery on acquisitions
Did Tate miss its chance to get the Saatchi Collection?
The greatest contemporary art collector in Britain says he was ready to offer all his art to gallery director Nicholas Serota—but his proposal was not pursued