Tate
Kapoor succeeds Ofili as Tate Trustee
Meanwhile the Charity Commission investigates purchase of The upper room
Ofili controversy at the Tate will lead to greater openness
After Tate resisted the release of the sums paid for Ofili's 'The Upper Room', Tate will now more often disclose the price of works bought from artist-trustees.
National Portrait Gallery: more transparent than Tate
Commission sum disclosed for Tom Phillips, unlike the purchase of "The Upper Room"
Tate considered buying Ofili installation with US collector
The controversy over the institution’s acquisition of a work by one of its trustees rumbles on
Tate struggles to attract money for acquisitions
A year ago the gallery launched a campaign to raise £100 million. Since then, £50,000 has been pledged from donors
National Gallery may start acquiring 20th-century art
The move would put the institution in competition with Tate
Another side of the mystery Tate/Ofili deal
How Tate bought The Upper Room remains shrouded in mystery and redactions
Outside curators buy for Tate at Frieze
This year's haul included video, installations, and photos but no paintings
Jeff Wall: Year-long exposures at Tate Modern
An overview of his career and a major new work
Tate withholds information in defiance of government guidelines
The gallery will not disclose the purchase price of 13 paintings by trustee Chris Ofili
Final effort for Tate to save Reynolds’ Archers
The Tate continues to fiercely pursue their fundraising campaign in the hopes that this great work may remain in the UK
Will Reynolds’ Archers stay in the UK? A look at Tate's fundraising efforts and the effects of the Waverley Criteria
Tate needs over £2 million to buy the £3.2m painting from an overseas buyer
Will Tate save a set of William Blake watercolours?
The museum is trying to raise £8.8 million to keep the works in the UK
Reynolds’ Portrait of Omai to remain in the UK, but in private hands
The painting which was bought at Sotheby's was banned from leaving the country - now what?
Making space speak: An interview with Richard Wentworth
Richard Wentworth’s mid-career survey at Tate Liverpool is more of a remix than a retrospective
Tate refused previous offer from Saatchi
Serota said no to 100 works in 1998, but is still keen to buy “major” pieces
Tate, London: Contemporary art badly needed
Tate director Nicholas Serota has spoken out about the challenges facing the gallery on acquisitions
Did Tate miss its chance to get the Saatchi Collection?
The greatest contemporary art collector in Britain says he was ready to offer all his art to gallery director Nicholas Serota—but his proposal was not pursued
News from London: Art pulled and art pushed, along with temper tantrums and transitions
Meanwhile, more say ta-ta to the Tate
Interview with Tracey Emin: Art, life and autobiography
Tracey Emin’s new exhibition concentrates on her work as a filmmaker in which she usually takes the starring role
News from the US: Museum acquisitions and sales, refurbishment highs and lows, and fabulous manuscript donations
Nine Modern paintings from the MoMA collection go on sale at Christie’s this month - is it to fund the purchase of the Hirsts at Tate?
What happened to the Maharajah of Indore’s Brancusi birds?
In 1973 the Tate wanted to buy Brancusi’s black marble “Bird in space” through dealer Richard Feigen, but the sale fell through because the trustees believed the work had been “smuggled” out of India
National Audit Office Report: Decline in museum fundraising, while Tate outperforms other London museums
The breakdown of museum funding is now available
News from London: Gagosian grows and grows, as does Tate Magazine, while Lisson and White Cube get into the festive spirit
Meanwhile, a dead animal stirs things up in Camden
Will Tate pay millions for this Leighton?
“The Syracusan bride” may be coming home from Australia