Sculpture Projects Münster

Obituariesfeature

An infinite conversation: Hans Ulrich Obrist's personal memoir of Kasper König, curator, publisher, teacher, museum director, and friend to artists

The artistic director of Serpentine, recalls 35 years of friendship and collaboration with the cultural impresario who was one of the most important curators of the second half of the 20th century

Zagreb collective WHW named creative directors of Skulptur Projekte Münster

The three curators, Ivet Ćurlin, Nataša Ilić and Sabina Sabolović, were selected by a seven-member committee to lead the 2027 edition, which marks the event’s 50th anniversary

Kasper König, pioneering curator and co-founder of Skulptur Projekte Münster, dies aged 80

The former director of Cologne’s Museum Ludwig “shaped the art discourse of the last five decades like no other", the museum says

‘Do your worst, Boston’: Nicole Eisenman’s fountain—vandalised in Germany—gets permanent US home

New version of sculpture that was first shown at Skulptur Projekte Münster in 2017 is the artist’s first permanent public work

Oscar Tuazon: Living as a sculptural process

The Los Angeles artist, who made one of the standout works at this year's Skulptur Projekte Műnster, is heading for the great outdoors

Locals fight to retain Eisenman fountain following Sculpture Projects Münster

Residents are working with artist to create a more durable version of the vandalised work

Vandals spray swastika on Sculpture Projects Münster exhibit

Organisers condemn “murderous propaganda of all right-wing parties”

Kasper König: in praise of an artists’ curator

The artistic director of Skulptur Projekte will be in conversation at Art Basel, celebrating five decades as a champion of public art

Trust and risk: why Documenta and Münster are the artists’ favourite shows

This year’s German exhibitions may come round far less frequently than the biennials, but their influence on artists is immeasurably greater

Münster: reflective art in a neo-Medieval Disneyland

The fifth edition of the sculpture show, held every ten years, corrects a gender imbalance but continues a melancholy tradition, according to its chief curator