The museum, which is operating at a significant deficit amid mounting crisis management fees, will focus its legal efforts on its former director

Since it was raided in 2022 by the FBI, which seized 25 purported Basquiat works, the museum’s legal and communications costs have surged while public and private support slowed

Michael Barzman will pay a fine, do community service and be on probation for his role in the forgery scandal

According to the lawsuit, Aaron De Groft stood to benefit from the eventual sale of the fake Basquiats—and planned subsequent shows of works purportedly by Titian and Pollock

Michael Barzman, who formerly ran an auction company that bought and resold the contents of storage lockers, said in plea agreement that he and another man made and sold 20 to 30 fake Basquiats

Loss of American Alliance of Museums accreditation, which the museum has had since 1971, could complicate processes like borrowing works from other institutions

Trustees who say they were summarily dismissed over email as retaliation claim that the board chair concealed information about an FBI subpoena months before the Basquiat exhibition opened

The museum's board chair and its recently appointed interim director have both resigned as the fallout from an FBI raid in June continues

Jordana Moore Saggese, a professor at the University of Maryland, wrote in a statement that her evaluation of the discredited works mischaracterised by the Orlando Museum of Art exhibition organisers

The museum’s board removed Aaron De Groft amid a widening scandal over issues of authenticity and reports of ‘inappropriate correspondence’

The works had purportedly been sitting in a storage unit for 30 years before resurfacing in 2012 and eventually going on view at the Orlando Museum of Art