National Gallery of Art, Washington DC

Jasper Johns: 'I was trying to see something, to see what seeing consisted of'

As the National Gallery of Art opens a show devoted to the artist’s work from the 1950s and 60s, he looks back on the decade and reflects on the process of making

Dealer who sold Turner masterpiece says it will go on public view in UK

Both the US National Gallery and Tate wanted to acquire The Dark Rigi but it was sold to a private collector

Tatearchive

How the US National Gallery and Tate were beaten to Turner masterpiece

The Dark Rigi has become embroiled in murky legal waters

Lawarchive

Washington's National Gallery wraps up Vuillard catalogue plagiarism suit with $37,500 payment to Annette Leduc and Brooks Beaulieu

However, a complaint lodged against Guy Cogeval, Antoine Salomon and Mathias Chivot was met with a counter-suit arguing that evidence had been fabricated

Rothko exhibition for China and South Korea

The travelling exhibition will be the first major show on the artist in either country

Lootingarchive

Growing unease over looted Lubomirski Dürers

A sheet of paper found in a second-hand book by The Art Newspaper details valuations of the drawings when sold by Colnaghi

Shedding light on Rothko’s light: Abstract Expressionism at the National Gallery of Art

The biggest show of the artist’s work for over twenty years derails the view that his highly charged colour-field paintings were a reflection of his moods

Calder hangs on at the National Gallery of Art, Washington

The master of mobiles and his relation to Parisian Modernism reassessed

Books: A catalogue raisonné for Mark Rothko

Only Gorky and Pollock of his peers has so far been catalogued

Bellotto’s “Königstein” bought by Washington's National Gallery for $9.6 million

It makes it their most expensive purchase since Leonardo’s “Ginevra de’ Benci”

From the archive | How "Pumpkin", a George Stubbs portrait of a horse, caused Paul Mellon to fall in love with collecting

The great collector and museum benefactor discusses his memoir "Reflections in a Silver Spoon", his championing of British sporting art and his family's backing of the National Gallery of Art in Washington DC