Museums & Heritage
Bloomsbury: a rather faded modernity
Two scholarly exercises in assessing the roles of Roger Fry, Vanessa Bell and Duncan Grant
How to raise £166 million for the Tate: “Money follows energy”
The museum’s low-profile fundraising has achieved the biggest capital sum ever for a UK museum, but who is to pay for the running costs?
Special loan arrangements set up between Tate Gallery and Yale Center for British Art.
Twenty US works are to be shown at Millbank for its inauguration in March 2001
V&A off limits to women in 1913?
Museums considered banning female visitors at height of suffrage movement
Colonial Williamsburg: Authentic, fake or 1920s dreamland?
Giles Waterfield, former director of the Dulwich Picture Gallery, looks at how the Colonial Willamsburg Foundation tackles the problems of shifting historical perspectives
Tate acknowledges 'View of Hampton Court Palace' as Nazi war loot, expected to compensate family
An important test case for museums dealing with war loss cases.
British art swaps at the Tate Gallery and Victoria and Albert Museum
Constables go to Tate and eighteenth-century works to V&A
The rebirth of Florence's Villa Stibbert
Director Cristina Aschengreen-Piacenti has pioneered the project, refusing to allow the residence of a great Anglo-Florentine collector to fade from memory
Two mega-donations for London museum expansions
With £20 million each, plans progress for the British Museum Great Court and the V&A's spiral
Columbus Museum of Art, The Age of Enlightenment reaches Ohio
A major loan show from Dresden’s Picture Gallery concentrates on paintings rather than decorative arts
David Smith's 'Wagon II' bound for the Tate
Purchased from artist's family, it is the most important work still in private hands
A whole new neighbourhood of art: Tate Modern invigorates the South Bank
Giles Waterfield, former director of the Dulwich Picture Gallery, looks at this witty and non-judgemental enterprise, one of many visual art developments already around the future Tate Gallery of Modern Art
Subcontinental splendour at the Victoria & Albert Museum
An exhibition of Sikh treasures casts new light upon the art of an Indian culture better known for its war-like tendencies
Publishing Tate's colourful past to celebrate its centenary
Histories and anecdotes of the Tate Gallery and the British Museum
Large Lottery grant to Tate Gallery to buy contemporary art
£6.2 million goes to the new Tate at Bankside before next years opening.
Collector interview: Peter Maenz. “It felt like home”
The former Cologne art dealer has given, lent, and sold parts of his collection to Weimar, in eastern Germany
Bacon's rare drawings to go on show at the Tate
The Tate unveils its previously unknown Bacon drawings to the world while two US museums present new views of the blockbuster British artist
'Mind’s Eye' with William Feaver to open eyes at the Tate
The new series with The Art Newspaper
The Kimbell explores Picasso and Matisse's (not so) gentle friendship
As the Tate and MoMA prepare their mammoth exhibition of works by the two artists in 2002 the Kimbell steps into the ring first with a similar, but smaller, show of its own
V&A Director Alan Borg says, “The idea of keeping museums separate from the trade needs to disappear, particularly for the contemporary world”
V&A edges toward the cutting edge—and commerce
The Art Newspaper’s own artistic gourmet, Alex Wengraf takes lunch and postprandial coffee at the V&A
The ruling: Museum food is tasteful and tasty
New chief Klaus-Dieter Lehmann wants more autonomy for Berlin’s State Museums
The incoming chair of the Preussischer Kulturbesitz thinks change is needed, but collector Heinz Berggruen defends outgoing museum director’s record
Thefts from V&A and Courtauld Gallery
Two Constables and three small paintings discovered to be missing from storage
London galleries: Natural forms intergenerational in Asprey-Jaques' Kovats and Hepworth joint show
Tony Cragg goes wild at the Lisson, Emily Tsingou gets repetitive and Manchot’s middle-aged mum is at Zelda Cheatle
From the archive | Waddesdon, Museum of the Year and the exemplar of a Rothschild house
Jacob Rothschild, the banker and former head of the National Heritage Memorial Fund, always took a deeply personal interest in the last of the great Rothschild houses
A campaign is underway to raise funds for the conservation of Sir George Gilbert Scott’s metalwork masterpiece, the Hereford Screen
Since its removal from Hereford Cathedral over three decades ago, it has languished in store, slowly deteriorating.

