Museums & Heritage

Vanbrugh at the V&A

Newly bought architectural albums on show

Tatearchive

Tate planning a national gallery for the twentieth-century before the twentieth century’s done

Tate makes early bid for National Lottery largesse to expand southward

Annual conferences meet in London and Seattle to discuss identity, display, and art history

The Association of Art Historians will meet at the Tate Gallery, while 5000 will gather for the College Art Association conference in the US

Korean art at the V&A

New space sponsored by Samsung corporation

New gallery showcasing 20th-century design opens at the V&A

Spanning the history of consumer design from 1900 to 1992, it aims to explore design ideas, techniques and materials as well as individual pieces and mass-produced objects.

Tatearchive

Should the Tate Gallery split?

We asked leading figures in the art world whether the Tate should divide into the British Collections and a museum of international modern art: all but one were in favour

The V&A recruits European talent

Dr Norbert Jopek to join Sculpture department

From the archive | How "Pumpkin", a George Stubbs portrait of a horse, caused Paul Mellon to fall in love with collecting

The great collector and museum benefactor discusses his memoir "Reflections in a Silver Spoon", his championing of British sporting art and his family's backing of the National Gallery of Art in Washington DC

Letters: There was no political interference at the V&A

Restructuring proposals not the result of political interference

Tatearchive

"New Displays" at the Tate Gallery makes special rooms for Joseph Beuys and Rebecca Horn

Important loans include portraits by Hogarth and Gainsborough and five landscapes by Constable

Ethicsarchive

The place of scholars in the commercial art market: how to avoid shameful infections and a diminution of the truth?

It is pointless to pretend that the commercial art world and the worlds of research do not interpenetrate each other. Here we look at the relationship, present and past, and ask ourselves, in what respect is the art historian any different from the lawyer who sells his opinion?

V&A curtails access to its national collections of slides and books

National Slide Library transfer to Leicester to proceed in spite of protests

Only complete Frank Lloyd Wright interior in Europe installed at the V&A

After twenty years in boxes a friend of the patron’s family funds its display

The art of death surveyed at the V&A

An eclectic selection of memento mori

Senator presents bill in Parliament to liberalise circulation of Italian archaeological items

The proposal is greeted by suspicion and political posturing within the Italian art and archaeology world and even the Ministry of Culture.

Gerhard Richter survey at the Tate Gallery

Nick Serota launches into a new policy towards international contemporary art

Polish museums to sell military equipment preserved in bogs

They have already dug out several dozen armoured cars, field-guns, transporters and other vehicles

Booksarchive

The National Trust’s 6000 paintings on microfiche

Large, unpublished collections now available

Nick Serota on his second Tate rehang and his vision for what will be “one of the great museums of late twentieth-century art”

Defending his acquisitions and looking to the future, Serita talks on exhibitions and an international outlook

Tatearchive

Ro-Tate: Tate's rehang success with 1,500,000 visitors in attendance

It’s all change at the Tate Gallery, as part of Nick Serota’s policy of rotating the collections

In memoriam: the V&A’s role in the study of historic houses

Care of Ham House and Osterley Park to be taken over by the National Trust

Musée Guimet displays spectacular collection of Himalayan art that will one day join its own

Collector Lionel Fournier talks about Asian art he will leave the museum

German electronics engineer opens fakes museum in Milan

Gottfried Matthaes explains that his family fakes gave him the idea

Gallery owner Cannaviello plans a broad-ranging Modern art museum in Milan

It would be the first to be run as a plc, with works of art as its capital base and private collectors as its shareholders