From the archive
Extract | How Mayor Rudy Giuliani went from ‘patting on the back’ to trying to pull the plug on Sensation show
Two decades after one of the most controversial exhibitions of recent times, Arnold Lehman, the former director of the Brooklyn Museum, reveals all in a new book
Tate Modern turns 20
To mark the London museum’s big birthday, we have searched our archive for our favourite articles on the institution, from a critic's take on the café’s cuisine to an interview with Tate’s former director Nicholas Serota ahead of the Switch House’s opening in 2016
The ripple effect of the Arab Spring
Political upheaval across the region presents challenges—and opportunities—for artists and collectors
From the archive | Louvre pyramid architect I.M. Pei on the church-like museum he designed for the Goulandris collection
In this 1994 interview, he reveals how he likes art to be displayed, such as natural lighting for Impressionists
The demolition of the Berlin Wall had immediate effects on German life. But how did it affect artists?
By far the most comprehensive artistic testimony were paintings in what immediately became known as the East Side Gallery
Notes from a demolition: five works about the Wall in Berlin collections
From Frank Thiel's Stadt to Tacita Dean's Palast, some of the best works about the Wall and life in Berlin after reunification
How Mitte embodied new artistic spirit of Berlin after the Wall came down
East German area became a space of possibilities, not unlike inner-city New York or east London before they were gentrified
Since the fall of the Wall, Berlin has established itself as the artists' capital
Despite not being rich, the city has a large percentage of professional creatives and a booming gallery scene
Throughout the Cold War Berlin’s museums quietly kept in touch—when the Wall came down, they embraced
This archive article, taken from our feature looking back at the fall of the Berlin Wall 25 years later, shows how German culture remained linked when politics broke down
In search of art out of Africa: an interview with Jean Pigozzi
“I feel that at the time of the Medici they had my kind of rapport with their artists”
Church and State disagree over management of religious heritage in France
The country possesses more than 32,000 churches, 6,000 chapels and 87 cathedrals. Their dual administration has caused serious problems of management and conservation
From the archive: gossip from The Armory Show over the years
Donald Judd's studio secrets spilled, multi-tasking gallerists and Glenn Lowry's statement sans collar suit
In pictures: 15 years at Art Basel in Miami Beach
From the fair's director Marc Spiegler playing football on the beach to the collector Jorge Pérez getting a lift from rapper Wyclef Jean, some of our favourite images from the archive
From the archive: headlines from our 15 years (so far) at Art Basel in Miami Beach
We look back at our very first set of daily papers in 2004
From the archive: Frank Stella in 2017— a huge show at Art Basel in Miami Beach highlights artist’s sense of ‘free play’
Studio materials and working archive are the focus of a 300-piece exhibition at the NSU Art Museum Fort Lauderdale
The Queen's image: how portrayals of Elizabeth II changed over her lifetime
From Cecil Beaton to Annie Leibovitz and from Pietro Annigoni to Lucian Freud, a broad spectrum of image-makers have portrayed the Queen
From the archive, 1 October 1990: 'We did not pursue any party political nonsense on the Museum Island'
On the 25th anniversary of German reunification, we republish our first ever front-page story, in which East Berlin museums chief Günter Schade defends his record and reveals how East German museums sold in order to buy
From the archive | A shared pride: the Rothschilds yesterday, today and tomorrow
Jacob, Lord Rothschild, is one of the great benefactors of the English museum scene in both time and money
Did Marcel Duchamp steal Elsa’s urinal?
The founding object of conceptualism was probably “by a German baroness”, but this debate is rarely aired
From muted to politically charged: upheaval in the Middle East on show at the Venice Biennale
Nations are taking contrasting approaches to the region’s continuing political and social chaos
Heritage caught in the crossfire in wake of Arab Spring
From Macedonia to Mali, the culture of the Islamic world is in an ideological and territorial struggle
A true icon: Pietro Annigoni’s 1955 portrait of Queen Elizabeth II
The story of the royal portrait that has most deeply embedded itself in British consciousness and was adopted all over the Commonwealth
Arab protesters put their art on the streets
Artists have used the walls of Cairo, Damascus and Tripoli to document the uprisings
New antiquities minister must increase museum security and distance himself from Mubarak
Zahi Hawass faces major challenges over looting
Still a 'Sensation': How much do the Young British Artists matter in 2010, as they enter middle age?
What is the critical and market sentiment around the artists who made headlines at the Royal Academy, in London, 13 years ago?
From the archive | A 2009 studio visit with the king of the one-liner Frank Stella in the fallout from the global financial crash
The artist reveals that his cavernous upstate New York studio includes a Formula 1 racing car that had "drifted in", and is packed with art following the recent cancellation of two exhibitions in Europe: "It's not good"
The landmark exhibition 'Sensation': who were the big buyers of Charles Saatchi's art collection?
An Art Newspaper investigation reveals that, nine years after the controversial Royal Academy show, US collectors and institutions had acquired many of the pieces shown at "Sensation" in 1997
Where is the art from the ‘Sensation’ show? A list of the collectors in 2006
An Art Newspaper investigation tracks the ownership history of art from Charles Saatchi's collection shown at the Royal Academy in 1997
The Royal Collection's list of paintings acquired in the first 50 years of Elizabeth II's reign
The acquisitions have not been ostentatious, with a significant portion of them being historic royal portraits, bequests or donations
'For the King’s pleasure': a ground-breaking study of the interiors of Windsor Castle by a director of the Royal Collection under Elizabeth II
A landmark account of George IV’s decorations and furnishings at Windsor Castle, by Hugh Roberts, who was closely involved in the restoration of many of those interiors following the 1992 fire