Commercial galleries

David Zwirner to expand again with another New York gallery opening in 2020

Five storey Renzo Piano-designed space will become mega-dealer’s new global headquarters

Mark Bradford to launch Hauser & Wirth’s Hong Kong gallery

The Los Angeles artist is creating a new series of large-scale paintings for the show

Anny Shaw. with additional reporting by Melanie Gerlis and Gareth Harris

Artist William Tillyer given year-long platform by London dealer Bernard Jacobson

Stalwart gallerist to launch five shows and a monograph on the painter, who turns 80 next year

Private View, December 2017

Noteworthy exhibitions at commercial galleries, from emerging names to rediscovered talents

P.P.O.W defies tough odds for mid-sized galleries

With the spotlight on issues of race and gender, one gallery that grew out of 1980s New York has again found its moment in the market

Street art dealer Steve Lazarides to open gallery in Mayfair with Wissam Al Mana

Following seven-figure investment from Qatari magnate, former Banksy agent plans to expand secondary market business with artists including Basquiat and Haring

Spotlight on: London Art Week Winter

Inaugural December event brings city's Old Master dealers out from the shadows with exhibitions at more than 30 galleries

David Zwirner nabs representation of Rose Wylie

The octogenarian artist is in ascendance, with a solo show opening at the Serpentine later this month

Private View: Peter Darach, Richard Diebenkorn and Lotte Laserstein

Noteworthy exhibitions at commercial galleries, from emerging names to forgotten talents

Amanda Wilkinson to open new gallery in Soho

London art dealer parted ways with Anthony Wilkinson after 20 years this summer

Julia Peyton-Jones returns to the birth of Modern sculpture for first Ropac show

Former Serpentine director has co-organised an exhibition on Italian artist Medardo Rosso

Pace Gallery remembers Elizabeth Murray with show of her 1980s work

The late painter’s shaped canvases, including some museum loans, are the subject of a survey in New York

Shanghai dealer Leo Xu to co-direct David Zwirner’s Hong Kong gallery

Xu is closing his project space and will work alongside former Christie’s head Jennifer Yum

Artoon by Pablo Helguera, November 2017

"To be perfectly honest, it hurts my feelings that no one has considered our gallery to be good enough to hack"

Fraudnews

Galleries hit by cyber crime wave

Hackers are using an email scam to intercept payments between galleries, collectors and others

Galerie Templon due to open a second Paris space in 2018

Decision to expand in French capital supported by healthy local market and change in political climate

Tracey Emin, Carl Freedman and Jonathan Viner establish Margate 'arts district'

The artist is setting up a sculpture studio, while the London dealers are opening second galleries in the same former printing warehouse

Mexico’s galleries pull together after earthquake

The city’s art dealers are sharing their spaces and helping rebuild the cultural economy

It takes two: artist couples at Frieze

From Max Ernst and Dorothea Tanning to Cy Twombly and Robert Rauschenberg, we look at how relationships can feed creativity

The great British booth-off

Showstopping stands are fast becoming a trend among London gallerists at Frieze art fair, each one recreating a different world

Peter Blake bags a pair of Steinbergs at Frieze Masters

Artist adores the work of the New Yorker cartoonist

The best things in life are free—and now you can find them at Frieze

Peter Blake complementary tote bags flew off Waddington Custot's shelves

De Chirico enjoys a metaphysical moment in London

Artist’s profile is raised at Frieze Masters and in two exhibitions

Five under £5,000 at Frieze

There are bargains at the fair—if you know where to look

Why London galleries do fairs on their home turf

Staying local keeps costs down—and dealers can benefit from the buzz around town

The market boom for Basquiat

A year after his death, MoMA turned down an offer of the artist’s work. Today, the appetite for his paintings has never been greater