Biennials & festivals
Size matters: Why are works still getting bigger?
Big excitement over bigger and bigger works
Based in Berlin: the mini-biennial to fill in between Venice Biennale and Art Basel
This survey of 80 artists will prevent boredom from setting in as collectors are made to wait for the next superfair
“Art spies” said to be on look out for non-approved events
Conflict between government and arts organisers at Shanghai World Expo
Shenzhen-Hong Kong Biennale of Urbanism/Architecture: Two cities grin and bear it for one uneasy biennale
Interesting work, relaxed censorship and sheer scale belie tensions in joint Hong Kong-Shenzhen project
The Istanbul Biennial looks east (Eastern Europe, that is)
The Turkish capital has curators, collectors and galleries—if the government pitches in, it could become the leading destination for contemporary art in the Middle and Near East
Benin biennials begin with feuds over unethical behaviour
Benin waited more than 50 years since its independence for a biennial, and now it has two
Interview with Robert Storr, director of the 2007 Venice Biennale: "I would recommend dramatically increasing the number of national pavilions"
In the second part of our interview with Storr, he considers the question of how to make the historic event truly representative of today’s global art world
NEA will establish new panel to select American artists for biennales
The State Department wants to promote programmes in the Muslim world
Gregor Schneider cries censorship at Arsenale
Controversy over Venice Cube project
Women curators appointed for the first time ever, to be followed by an American in 2007
Less circus, more focus at the Venice Biennale
Interview with Francesco Bonami: The post-war Biennale and national vs. individual identity
Long live the united nations of the arts?
Szeemann's moving Venice Biennale: Video work dominates 49th edition
Our overview also reveals the highs and lows of this year's biennale, which draws heavily on Scandinavian artists and pays tribute to grand masters Serra, Beuys, Twombly and Richter
Exhibition of Visual Art (EV+A) in Limerick remains relevant and provocative
Pigs not caught in flagrante delicto and women wrestling with balloons are just some of the delights at this multi-venue biennale curated by Rosa Martínez
The 2000 Whitney Biennial: A return to the halcyon days of American Art or the dawn of a new era?
The pull of past traditions is juxtaposed with the push of digital innovations
FotoFest 2000 combines traditional techniques with modern innovations
The Houston international photographic biennial is the only event of its kind in the US
The brains behind the Biennale: Interview with Harald Szeemann
The Biennale director who launched the “Aperto” section for young artists is now replacing it with “d’Apertutto” as the theme of Biennale ‘99
Documenta's journey from post-war to post-modern to pre-millennial
A history of how Documenta has changed with the times