Art market

Art marketarchive

The taste of the spectacularly wealthy Palm Beach

Dealers come to share in the benefits of no income tax whatsoever

Art marketarchive

It was good for me: Seven London dealers review the past year

The state of the trade according to Lisson, Besson, Colnaghi and others

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Art marketarchive

There has been a softening in the middle-range of the art market

Percentage rates are down in many areas for the first half of the season

Art marketarchive

Christie's Contemporary auction report: Basquiat as a pricing phenomenon

His record price may bolster the market, but not all artists surpassed expectations

Bacon sizzles in New York as newly discovered works go on display at the Tony Shafrazi Gallery

The exhibition notably shuns the Marlborough gallery, which represented the artist throughout his life

Collectorsarchive

Collector profile: Eli Broad. 'Real entrepreneurs don’t collect Old Masters'

Eli Broad speaks about how he cultivates culture in Southern California

London galleries: Natural forms intergenerational in Asprey-Jaques' Kovats and Hepworth joint show

Tony Cragg goes wild at the Lisson, Emily Tsingou gets repetitive and Manchot’s middle-aged mum is at Zelda Cheatle

Art fairsarchive

Veteran dealers swerve Berlin Art Forum 1998 due to dearth of big collectors

A fair in its infancy, Art Forum proved fruitful for younger dealers with affordable art, although its concurrence with Yom Kippur did not help matters

Art marketarchive

A river runs through it: Hanging around in New York, a monthly guide by Brook S. Mason.

Impressionist painters on the Seine at Wildenstein, the Gilded Age glows at Vance Jordan, exoticism at Mark Murray plus fine furniture and Picasso’s lino cuts

Art marketarchive

Contradictory entrails; what does the financial health at present mean for the art market?

Sales are buoyant in some areas but real estate is weakening and nerves are showing

Art marketarchive

Chirac’s Musée de l’Homme raises prices for primitive art

Fetish figures, tribal shields and masks command attention

Fraudulent former dealer duped Irish Georgian Society, cheated investors out of £1.8 million, and sent fake Expressionists to tour twelve US colleges

Bryn Lloyd Williams, a former dealer, duped Desmond Guinness of the Irish Georgian Society and cheated investors out of £1.8 million, while Expressionist fakes toured 12 US colleges

Art marketarchive

Winners and losers of the market 1996-97

The art market strengthened and the salerooms saw their profits leap, however the pre-tax profits of dealers fell

Collectorsarchive

Collectors’ profile: “America’s model millionaires”

Computer-glitch software, Norton Utilities, has made the fortunes of Peter and Eileen Norton

Art marketarchive

First, target your audience: Marketing the Brooklyn Museum of Art

New director, Arnold Lehman, has raised the profile of America’s second largest museum in just one year by advertising

Art marketarchive

Marketing at MoMA: aim at the young professionals

Elizabeth Addison, head of marketing and communications, uses weekly surveys and focus groups to build brand awareness

Kusama makes a comeback with three concurrent exhibitions this Summer

Zwirner turns his gallery into a sports bar for the World Cup

Art marketarchive

Databases of stolen art can help thwart art thieves and promote vigilance

Registering items in such databases can bring peace of mind

Art marketarchive

Twentieth-century design sales in the US... Tiffany glass continues to climb

Twentieth-century decorative arts sales confirm prize prices for iconic furnishinings

June 1998archive

Are auction houses creating a bigger market for all or squeezing out the competition?

In 1998 we reflected on Sotheby's and Christie's recent move to sell cutting edge contemporary art as being a watershed moment

Art fairsarchive

Craft swings into high gear at SOFA, New York.

Contemporary decorative arts from $68,000 fibre arts to $100,000 glass sculpture

Collectorsarchive

A survey of Ten Latin American collectors

Unsurprisingly, most of these collections strongly represent the art of their own country