Archives

'For the King’s pleasure': a ground-breaking study of the interiors of Windsor Castle by a director of the Royal Collection under Elizabeth II

A landmark account of George IV’s decorations and furnishings at Windsor Castle, by Hugh Roberts, who was closely involved in the restoration of many of those interiors following the 1992 fire

Tatearchive

Kreitman’s donation opens Tate archive to the public

Spring 2002 to see new Research Centre at Millbank

Archivesarchive

V&A off limits to women in 1913?

Museums considered banning female visitors at height of suffrage movement

From the secret archives of the Victoria and Albert Museum: flinging more than a paint pot

The opening of a file on James McNeill Whistler, embargoed for a century, reveals him to have been a violent brawler, a racist and a gun-runner

Exploitation of the Tate Archives: Trial of accused paintings fraudster

John Drewe donated money to the Tate and allegedly doctored its documents

Archivesarchive

Revealed: what happened to the “degenerate” art in Germany’s museums, from G to Z

A 1941 typescript has been discovered that fills in the missing history of 16,588 works of art seized by the Nazis

Tatearchive

The Tate Gallery: What The Queen, Mark Rothko, Peggy Guggenheim and Barbara Hepworth all said.

In Britain, official papers are revealed after thirty years. The Art Newspaper was ready and waiting to see what was—and what might have been

Tate finally gets some of Hepworth archive

After much controversy surrounding the archives release, Sir Alan Bowness releases part of the archive to Tate

The Hepworth papers: why the delay?

Despite the sculptor’s wishes, Alan Bowness has failed to hand her papers over to the Tate

Interview with Marcel Duchamp: Life is a game; life is art

From 4 April to 18 July the Palazzo Grassi is showing a 300- work exhibition by Pontus Hulten of the work of Marcel Duchamp, the artist whose ideas have pricked through the whole history of twentieth-century art. Here we publish one of his last interviews, made in 1966

Charles Saatchi: the man and the market. The Art Newspaper was given access to the Saatchi archive to chart the transformations of this world famous collector’s taste

As “Sensation!”, the exhibition of the Saatchi collection of young British art, opens at the Royal Academy we ask what drives Saatchi to buy, and risk, so much