The Art Newspaper
'We are grateful that many Middle Eastern treasures are in international universal museums'
Zaki Nusseibeh of the UAE endorses the role of institutions such as the British Museum during discussion with French cultural leader Jack Lang
How Günter Grass, writer, sculptor and draughtsman, who died 13 April 2015, furiously defended Picasso’s Guernica
He denounces the German army’s 1990 use of the painting as a recruiting ad as culpable ignorance of the nation’s history: “I claim an unwritten right, the human right to a past”
Artist Interview: Tracey Emin's Miami
The artist speaks briefly of her favourite Miami activities
Tate Modern’s Matisse show is a cut above
London, and then New York, will see the largest number of Matisse’s paper constructions ever assembled
Louvre Abu Dhabi to open with a Leonardo?
The artist's La Belle Ferronnière is the subject of loan discussions
Following the warp and weft of time: Tapestries in all their glory at the Met
Tapestry is as alluring a medium to today’s artists as Renaissance ones
Nicholas Serota discusses an international outlook and Tate’s new worldwide web
Developing a global reach is just as important for major cultural institutions as it is for big businesses
Galleria Borghese exhibition juxtaposes Giacometti and its own sculpture collection
Comparisons between the Swiss superstar sculptor and the greats of previous centuries are inevitable
Japanese Outsider Art gets a warm Wellcome
The exhibition will bring together more than 300 works by residents of social welfare institutions on the country’s Honshu island
On the eve of his gallery’s 20th anniversary and its complete reinstallation with paintings, Charles Saatchi answers questions on the record for the first time ever
“I primarily buy art to show it off”
Disputing the origins of the Pre-Raphaelite Brotherhood
“W.M. Rossetti’s letters provide ample evidence that he was the energiser in the Pre-Raphaelites”
Was the Knoedler gallery warned about fakes?
The family of the artist Richard Diebenkorn says it alerted the gallery to fakes before they were sold
Speech by Nir Barkat: Anselm Kiefer on Jerusalem and the Kabbalah
“What has been divided can be brought back together again—not in the form of a reunification, but in a way that we cannot yet define”
Rivera’s MoMA murals revisited
After 80 years, works by the Mexican artist known for his volatile relationship with Frida Kahlo are again on view