While Russia tears down the images of Communism, there is a market in Germany for former artists of the regime

The Musées de France knew about it for nearly twenty years

Exploring the influence of immigrants and how the world moved on from the war

And not Isabella d’Este, Pacifica Brandano, Costanza d’Avalos, a cumulative female image—or Leonardo in drag

It’s all change at the Tate Gallery, as part of Nick Serota’s policy of rotating the collections

In a quiet month a chance to see some classic modern art

Dealers fear more forged prints may emerge

The bequest, one of the largest in the museum's history, includes three of Gertrude Stein’s Picassos

If the law is passed, sponsors will be granted legal provisions so they might better circumvent obstacles that complicate art funding

“Elizabeth I and Mary, Queen Scots: History and Myth” is on show, along with several groundbreaking seminars

The Tate curator discusses moving on from Fauvism and the relationship between originality and quality

Die Brücke, “New Light on Sculpture”, and Richard Long now on at Tate Liverpool

The exhibition draws works from galleries and museums across the globe to display a chronological retrospective

Watch out for Millares, Chillida, Domìnguez and Barceló. Interpol find “French connection”

Plans to replace Milan with Venice as a candidate have been scrapped

It would be the first to be run as a plc, with works of art as its capital base and private collectors as its shareholders

The exhibition, in which psychological unrest is registered through the body, will appear next in Frankfurt

The Drill Hall Gallery is showing works by Mark Rothko and Frank Stella, among others

A post considered a bed of nails

Corporations' trust in art as a tool for generating publicity has not wavered

The exhibition will travel through Europe, and in 1993 will be enlarged and shown at the Guggenheim to celebrate the artist's sixtieth birthday

Artists’ techniques revealed through science

Mark Futter and Richard Schlagman are the new owners of Phaidon Press, the jewel in the crown of Musterlin, which collapsed in October.

Vast collections emerge: archaeology, ethnographic and waxworks.

Progress on the “Uffizi advanced technology project” in Florence is going well.

In 1933 Nazism, drove a band of original and profound scholars to settle in Britain. Out of these elements grew the world famous Institute, whose approach to the past has incomparably enriched the understanding of art. Will the 1990s see this living intellectual force stifled by British government meanness and philistinism?

Fresh information has confirmed the importance of the works which will be put on the block

Tails of archaeology

This legislation may come to late, as several archaeological sites have already been looted, and their content distributed throughout the international market

Generous lending has set them up for a blockbuster year