Melanie Gerlis
Melanie Gerlis is the art market editor-at-large at The Art Newspaper and author of Art as an Investment
Chinese buyers finally come out of the woodwork for Art Basel Hong Kong 2014
The fair's long-term goal has been to crack the Chinese market
Collector Christopher Tsai wants to open first Ai Weiwei museum
The proposed museum would probably be in New York
Poly Culture moves to reassure shareholders
Auction house addresses concerns over non-payment, forgeries and army links
Greek collector Dimitris Daskalopoulos aids Athens museum acquisitions
National Museum of Contemporary Art spends €50,000 on new works from Frieze
Collectors find a richer mix of art and design with PAD in Berkeley Square
The art and design fair diversifies in response to competition from Frieze Masters
Swiss collector Stephan Schmidheiny sentenced to 18-year term
Schmidheiny is to appeal the verdict, citing the charges relating to asbestos manufacturing as 'absurd'
Art Basel, the final stop that brings art fair marathon to a close
The fair is one of the final Modern and contemporary events this summer
New brand in town as Basel hits Hong Kong
Slowly but surely, the fair’s newest edition is beginning to make strides
Dealers spark intrigue at Art Basel 2013 as 20th century masterpieces jostle alongside the contemporary
Art Basel '13 fair report
Manchester collector Frank Cohen and Danish adviser Nicolai Frahm launch a London gallery in a former dairy
After facing a brick wall of bureaucracy in Manchester, the pair looked to the capital to share their collections with the public
Art Basel launches first Hong Kong edition
The fair keeps the flavour of its predecessor, ArtHK, but the galleries have changed
Cambodian sculpture case will go to trial
Sotheby's sale halted as Cambodia demands its return
Warhol-Basquiat goes begging at Phillips
Phillips’s chief executive says Frieze might have distracted potential buyers
Marc Spiegler to assume sole charge of Basel
Joint director takes overall control of fairs
Going back in time: the next big thing is older art
Modern and contemporary art fairs are encouraging crossover collecting with a renewed focus on older art
Interview with dealer Emmanuel Perrotin on taking risks: “People imagine it must be easy for me now”
The Parisian dealer was one of the first to tap into Asian markets
Four to go on trial in German “Werner Jäger” forgery case
Wolfgang Beltracchi, his wife Helene, her sister Jeanette, and Otto Schulte-Kellinghaus stand accused of selling high quality forgeries
Collectors reveal appetite for the challenging rather than the expensive: Art Basel 2011
Art Basel '11 fair report
All’s fair in art market war: Competition heats up as Art Basel and Frieze expand
Smaller art fairs such as the Armory Show and Art Stage Singapore are feeling the strain
Design Miami Basel embraces the modern with an increase in early-20th-century stock
The fair's effort to give a detailed insight into recent developments of design distinguishes it from competitors
This year's Art Basel prepares to surpass last year with adjustments to layout
Art Parcours heads indoors to the city’s historic quarter, while the Messeplatz remains sculpture-free
Art market's '08 boom and bust reflected in Chinese contemporary art sales
Figures saw buyers losing interest in the genre, before they regained confidence early last year
Interview with dealer Richard Nagy on Schiele: “It is about sex, it is tense, anxious and emotional”
His new space in London will open with an exhibition on the Austrian painter
Collectors from mainland China are beginning to buy across the board, both at home and abroad
“Is a new generation turning to contemporary art?”
Tate's Artangel Collection grows by nine works
The £2 million scheme to bring the 21-piece scheme to the public
Berlin gallery rejected from Art Basel calls for trade support
Following the Eigen+Art's exclusion from the fair selection, owner Gerd Harry Lybke protests with a request that his artists are not made available at any other stand
The Art Show fair report: Setting a sophisticated tone
Collectors queue to view classic modern and contemporary works
TEFAF Maastricht reaches beyond its European core
Chairman Ben Janssens has spent the year charming galleries and collectors in other continents