Kenneth Goldsmith
Exhibitionsreview
Wrong in the right way: Kenneth Goldsmith on why Picabia’s false Modernism feels so true
The French avant-garde artist’s work was prescient about our era of “post-truth” politics and culture
Exhibitionsnews
Bad enough to be good: Kenneth Goldsmith on Fischli and Weiss's Guggenheim retrospective
The exhibition proves that exactly wrong can be exactly right