Gareth Harris
Gareth Harris is the Chief Contributing Editor of The Art Newspaper
Vatican fundraising: there’s an app for that
Patrum aims to bring in donations for restoration projects, and connect patrons around the world
Collector turns Ibiza salt warehouse into Modern art gallery
Clubbers’ paradise is turning into unlikely culture destination
Ground-breaking Bihar Museum opens in east India
First phase of women-led project includes children’s and orientation galleries
Venice court rejects fast-track request to re-open Biennale 'mosque' by Christoph Büchel
Icelandic Pavilion commissioner says the legal process will take too long
Cabinet gallery’s new Vauxhall home stands on Pleasure Gardens of the past
The purpose-built, five-storey building is backed by arts patron Charles Asprey
Cindy Sherman steps into Maria Callas's stage clothes
Artist plays role of ageing diva with Francesco Vezzoli in director’s chair
Plan foiled to sail off with portrait by Picasso
Spain could claim painting in private collection seized from banker's super yacht
Azeri non-profit Yarat gets a new artistic director
Bjorn Geldhof will continue to run programmes at Kiev’s Pinchuk Art Centre until the end of the year
Underground art by Eduardo Paolozzi saved from destruction
The late artist’s celebrated mosaics displayed at Tottenham Court Road tube will be restored at Edinburgh University
Tate Britain gets a new director
The appointment of Alex Farquharson, director of Nottingham Contemporary, is welcomed by artists and critics
Australian gambling millionaire acquires acclaimed oil installation
Richard Wilson’s 20:50 work will leave the Saatchi Gallery in London, and head for David Walsh’s museum in Tasmania—but may go on a world tour first
Have passport, will travel: where will Ai Weiwei go?
The Chinese artist-activist is due to visit Berlin, London and Melbourne
Artists install in Fukushima’s radioactive zone
Exhibition may not be accessible for decades
Paris dealer opens sculpture park on Côte d'Azur
More than 30 works feature on trail of valleys and lakes
Private collector adds performance space to London gallery
David Roberts to show more ”live projects” in his Camden building—and may launch initiatives outside the capital
Newly expanded Lambert Collection reopens with gifts from Abdessemed and Vezzoli
Museum has doubled its exhibition space in historic headquarters in Avignon
Henry Moore's 'Old Flo' belongs to east London council, High Court rules
New mayor of Tower Hamlets scraps disgraced predecessor's decision to sell public sculpture
Whitechapel to host UK's most comprehensive exhibition of Arab art
Series of shows will include more than 100 works drawn from the Barjeel Art Foundation
Greek museums forced to close as funding runs out
“Cultural institutions on brink,” says curator of main exhibition at Thessaloniki Biennale
Head of France's most prestigious art school abruptly dismissed
French culture minister decides its time to replace Nicolas Bourriaud who was caught by "surprise"
Fontana as you’ve never seen him before
HangarBicocca show in Milan will throw new light on artist’s walk-in installations
How an important work by Joseph Cornell ended up at the Royal Academy courtesy of Jasper Johns
The box construction was a birthday present from Leo Castelli
Richard Prince’s retail therapy in Beirut
The US artist creates site-specific works for the fashion chain founded by Tony Salamé
French antiques biennial goes annual
Following a rift in membership, dealers vote to double frequency of event
Mind the art: Transport for London unveils new commissions for the tube
Liam Gillick and Zineb Sedira have made works for the Victoria Line
Greece’s finance minister Yanis Varoufakis to speak at sixth Moscow Biennale
Ten-day event at historic Soviet-era site will include public forums, daily keynote speeches and performances
V&A’s first steps in southern China
London institution introduces contribution to biennial in Shenzhen ahead of 2017 opening of its new gallery in the city
Artangel’s newest commission gives a glimpse into former BBC headquarters
Ben Rivers’s cinematic installation is screened in salvaged film sets, scenery and prop workshops