
Aimee Dawson
Aimee Dawson is a writer and editor specialising in art in the digital sphere; social media in the art world; and Middle Eastern visual culture. She was formerly an editor at The Art Newspaper and writes the monthly column Insta’gratification about how the art world and social media collide.
Rembrandt special: the complete artist
As shows marking the 350th anniversary of the Old Master's death open, we look at his masterpieces at the Rijksmuseum, Dulwich Picture Gallery and the British Museum. Produced in association with Bonhams, auctioneers since 1793.
Bonus podcast: Dorothea Tanning show comes to Tate Modern
The full, unedited cut from our discussion with Alyce Mahon, the exhibition’s curator. Produced in association with Bonhams, auctioneers since 1793.
Antony Gormley at the Uffizi, plus portrait miniatures
We talk to the British artist as he shows his sculptures with ancient works in the Florentine museum, and we zoom in on the tiny art works that are the subject of a major show London's National Portrait Gallery. Produced in association with Bonhams, auctioneers since 1793.
Can artists live off art alone? Plus, Los Angeles
Artist Tai Shani and art consultant James Doeser on the grim reality of working as an artist today and Jori Finkel on the inaugural edition of Frieze Los Angeles. Produced in association with Bonhams, auctioneers since 1793.
Tracey Emin on mourning and #MeToo; George Shaw on realism and Rembrandt
We talk to Tracey Emin as her new show at White Cube opens. And we speak to George Shaw, whose exhibition has arrived at the Holburne Museum after its stint in the US. Produced in association with Bonhams, auctioneers since 1793.
Three exhibitions to see in London this weekend
From the dazzling dresses of Dior at the V&A to the grim reality of how architecture can affect your health at the Wellcome Collection
Ruskin and Gombrich: revisiting two art historical heavyweights
Amid a wealth of events celebrating the bicentenary of John Ruskin’s birth we reconsider the breadth of his achievements. Plus, we talk to two experts in E.H. Gombrich. Produced in association with Bonhams, auctioneers since 1793.
Mapplethorpe at the Guggenheim, Bill Viola at the Royal Academy
We talk to the people behind major exhibitions on both sides of the Atlantic. Produced in association with Bonhams, auctioneers since 1793.
Sisters are painting it for themselves: meet the female Old Masters finding prominence at last
We speak to curators Letizia Treves and Jordana Pomeroy about the growing trend to bring historical female artists to the fore. Plus, Kate MacGarry tells us about participating in Condo London. Produced in association with Bonhams, auctioneers since 1793.
2019: art market predictions and the best events
From Brexit worries to emerging trends, we look ahead at what to expect from the art market this year. Plus, our correspondents pick the must-see exhibitions, fairs and festivals. Produced in association with Bonhams, auctioneers since 1793.
2018: the year in review
Our London and New York teams ponder 2018's biggest art stories. Produced in association with Bonhams, auctioneers since 1793.
Should looted colonial art be returned?
We weigh up the arguments for and against the restitution of African art taken during the colonial period with Vicky Ngari-Wilson, Nicholas Thomas and Ugochukwu-Smooth Nzewi. Produced in association with Bonhams, auctioneers since 1793.
A Baroque #MeToo heroine, a censored video and an 'unprecedented deal': the year in museum acquisitions
We look back at ten significant gifts and purchases that entered public collections in 2018
From counting muddles to collective cuddles: the art world's highs and lows of 2018
The people, places and things that had a year to remember—or to forget
In pictures: must-see works at Design Miami
From lady lamps that light up at the touch of a nipple to experimental Italian design, here are some pieces from the 14th edition that caught our eye
Olafur Eliasson on climate change. Plus, Art Basel in Miami Beach
The artist tells us about bringing ice blocks to London, we discuss the threat of sea level rise on heritage sites, and trace the changing cultural landscape of Miami. Produced in association with Bonhams, auctioneers since 1793.
Top shows to see in Miami this week
From a tribute to the feminist stalwart Judy Chicago at the ICA to a reunion of the AfriCOBRA artist at MoCA
Exclusive interview with Edmund de Waal, plus Roma persecution
How artists fight persecution is explored with the artist and author of the Hare with Amber Eyes and Krzysztof Gil, who describes the chilling history of "Roma hunting". Produced in association with Bonhams, auctioneers since 1793.
Two new shows highlight the politics of being apolitical in the powderkeg Middle East
Exhibitions on the history of Syria and on Arab revolutions in the Arab world tread a fine line
The Beatles' White Album: the band, the artist, the dealer. Plus, art in Dubai
We talk to Andrew Wilson at the Tate and Harriet Vyner about one of the greatest albums, and album covers, of all time. And we visit the new Jameel Arts Centre in Dubai. Produced in association with Bonhams, auctioneers since 1793.
David Hockney: exclusive interview with the world's most expensive living artist
We talk to David Hockney about Portrait of an Artist (Pool with Two Figures), which broke an auction record this week, selling at Christie's New York for $90.3m with fees. Produced in association with Bonhams, auctioneers since 1793.
Andy Warhol (part two): Jeremy Deller, Shadows
The British artist tells us about hanging out in the Factory and we get the story behind the Shadow paintings on show in New York . Produced in association with Bonhams, auctioneers since 1793.
Jameel Arts Centre: Dubai gets first non-governmental contemporary art space
Four solo shows of female artists are part of efforts to “redress the gender balance” in the Middle East, says director
Andy Warhol (part one): Whitney curator Donna De Salvo on the key moments of the king of Pop art's career
From his early life as a commercial artist to his celebrity portraits, as well as his relationship with a certain Donald Trump. Produced in association with Bonhams, auctioneers since 1793.
Don’t call me a woman artist: overlooked Surrealists. Plus, Klimt/Schiele
We talk to Alyce Mahon, the curator of the Dorothea Tanning exhibition in Madrid, and adviser for the Leonor Fini show in New York about the art and life of the two surrealist artists. Plus, as a spate of shows open in Europe and the US, we discuss how Klimt and Schiele compare. Produced in association with Bonhams, auctioneers since 1793.
Bruce Nauman’s New York takeover. Plus, the British Museum dusts down its Islamic art galleries
We talk to the curator Kathy Halbreich about the giant two-part Bruce Nauman retrospective at MoMA and MoMA PS1. Plus, the specialist in Islamic studies Jane Jakeman reviews the new Islamic displays at London’s British Museum. Produced in association with Bonhams, auctioneers since 1793.
Gainsborough murder mystery. Plus, RoseLee Goldberg on performance art
We travel back to the 18th century and delve into the grisly family murders that helped Gainsborough gain fame. Plus, RoseLee Goldberg tell us all about her new book Performance Now: Live Art for the 21st century. Produced in association with Bonhams, auctioneers since 1793.
In the Sotheby’s saleroom with the self-destructing Banksy, plus Bauhaus pioneer Anni Albers
We go behind the scenes of one of the most publicised stunts in auction history with our correspondent Anny Shaw who was there that evening. Then we get a tour of Tate Modern's Anni Albers retrospective with its curator Briony Fer, speak to the artist's biographer Charles Darwent and the head of the Josef and Anni Albers Foundation, Nicholas Fox Weber. Produced in association with Bonhams, auctioneers since 1793.
Art Dubai appoints new international director Chloe Vaitsou, formerly of Frieze Fairs
Emirati fair says she will work alongside the artistic director in a move away from having a single leader
Collector's Eye: Christina Makris
Art lovers tell us what they’ve bought and why