Modern art
Books: Essays on sex, gender and identity in Dada
Naomi Sawelson-Gorse edits this collection on the often overlooked women of Dada
Books: Recognising the writer, Dalí
A new collection draws attention towards a neglected part of the Surrealist's output
Calder hangs on at the National Gallery of Art, Washington
The master of mobiles and his relation to Parisian Modernism reassessed
Janet de Botton gives Tate free reign with her collection
Inspired by the Tate’s plans for Bankside, she gave the museum one third of her massive collection of modern art
Sales satisfactory at Berlin Art Forum '97, though dealers may have to be patient for fair to come into its own
Dealers and collectors alike come here to see the city and its contemporary art world take shape but immediate sales were limited
Robert Rauschenberg: 'Business sure screwed up the art world universally'
On the occasion of his Guggenheim retrospective, the artist talks about his globe-trotting approach to “the adventure of art”
Books: The first ever study of Salvador Dalí’s creativity through his own voluminous writings
Dalí in his own write
The Overholland Collection to go on tour as it loses its home to Van Gogh
The works on paper will begin their nomadic existence at the Teylers Museum
Books: Confiscated Malevich material to be revealed as his autobiography finally comes to light
First ever complete edition of avant-garde artist’s writings appearing in five volumes
London Impressionist and Modern sales: Yes, it’s good, but will it last?
Picasso, Matisse, Miró and Dalí suggest that great works of art continue to command great prices in changing markets
"Into a New Museum" among exhibitions organised at the San Francisco Museum of Modern Art's new location
The opening displays, with recent gifts of Matisse, de Kooning, Marden, Polke and Richter, show John Lane's success in wooing San Francisco collectors
Low totals, but dealers' worst fears assuaged: Impressionist and Modern sales '94, New York
Reasonable results, with collectors looking lively
Clients look to spend, some over $1 million dollars: The Art Show 1994, New York
Serious collectors, serious prices, but mostly for the modern
Bonn borrows MoMA pictures for a survey of the 20th century
The Museum of Modern Art has loaned 70 paintings for the first in a series of major exhibitions
Documenta '92 report: If art is dead, is the artist a zombie?
It's heavily influenced by the work of Joseph Beuys and shows the near and distant past rather than the present, with plenty of conceptual appropriation
Let them take their art with them into the afterlife: Achille Bonito Oliva proposes a dignified exit for contemporary works of art
What is the point of restoring modern art? Is it reasonable to treat a Rauschenberg as if it were a Leonardo?
Studies in Modern Art from MOMA to be published annually
The inaugural edition focuses on works from the 1960s
Buyer confidence returns at Impressionist and Modern paintings sales as collectors - not speculators - drive the market
The auction houses bring out six long-held major estates to tempt collectors
The art of Forties America at the MoMA
Exploring the influence of immigrants and how the world moved on from the war
What's on in Switzerland: Good Rothko and Mark Tobey shows
In a quiet month a chance to see some classic modern art
Nazi 'degenerate art' show to be reconstructed in LA
An irony that the American art world will enjoy after the Mapplethorpe censorship row: the N.E.A. is sponsoring a partial replay of the Nazi “Entartete Kunst” exhibition of 1937
Gallery owner Cannaviello plans a broad-ranging Modern art museum in Milan
It would be the first to be run as a plc, with works of art as its capital base and private collectors as its shareholders