The vandalism on Friday coincided with Zurich Art Weekend

Peri, who was abducted from his home in Kibbutz Nir Oz on 7 October, was a multi-disciplinary artist and activist who founded The White House gallery

Alam made the decision in solidarity with the students protesting against the university’s stance on the war in Gaza

Demonstrators took over the lobby and exterior of the museum on Friday afternoon, calling for transparency and divestment regarding financial ties to Israel

Adam Rouhana wants to challenge stereotypical perceptions of the war-torn country in two London shows

The digital resource, created by US non-profit National Coalition Against Censorship, catalogues incidents from cancelled exhibitions and performances to removed works

Chat logs from a private WhatsApp group created by billionaire Barry Sternlicht were leaked to the Washington Post last week

Native American artist Danielle SeeWalker had turned down several opportunities to accept a residency in the upscale resort town of Vail

The Contact Photography Festival’s main sponsor, Scotiabank, has a large stake in Elbit Systems, which makes armoured vehicles, drones and other weapons

They slept in a reception area of the art school as part of a demonstration against what they see as an unacceptable response from the university to Israel’s military campaign in Gaza

Sandra Hegedüs, who withdrew funding for the Paris centre, responded to the letter, signed by Chris Dercon among others, in Instagram posts

Following violent crackdowns on student protests, instructors at the left-leaning university and leading art school have set up tents in the lobby of an academic building

How Israel’s military offensive in Gaza has changed the lives of artists, plus an insight into working with Stella and a highlight from a new show at the Garden Museum

Police arrested 68 people at the Art Institute of Chicago on Saturday and around 50 protesters at FIT on Tuesday

All proceeds from the initiative, launched by the UK publishing house Book Works, will go to the charity Medical Aid for Palestinians

Sandra Hegedüs quit the Amis du Palais de Tokyo patrons group, withdrawing her financial support of the Paris institution, after stating that a show on Palestine was misleading

Negotiations between leaders and students at the top-tier art and design school have broken down

Students at Parsons School of Design, the Fashion Institute of Technology, the School of Visual Arts, the Savannah College of Art and Design and others have joined the nationwide protest movement

As Israeli air strikes continue, six members of the art community describe their daily battles for survival

One protester was held by police while a "Freedom Boat" attracted hundreds of visitors

An immersive exhibition brings the Nova Music Festival’s campgrounds—including tents and burned-out cars—to Lower Manhattan

Organised by the Art Not Genocide Alliance, the demonstration criticised international support for the Israeli government’s campaign against Gaza

Ruth Patir says that she and the curators will not open exhibition until Israel and Hamas reach “a ceasefire and hostage release agreement"

Shababeek for Contemporary Art, home to around 20,000 works, was hit during the two-week assault on the hospital complex and its surrounding areas

Six months after 7 October, Israeli artists and arts workers remain active in popular movements calling for the release of hostages and ousting of Benjamin Netanyahu

Thousands have called for Israel’s pavilion to be cancelled, a proposed Palestinian exhibition was rejected, while Ukraine’s pavilion deals with its ongoing war

The Berkeley professor did not want to be a "distraction" to the event in Paris after she was criticised for describing the 7 October attacks as an “act of armed resistance”

The museum has received backlash for its decision to allow Adani Green Energy to sponsor a new gallery focused on climate change

A two-hour rally at the New York museum drew many supportive cheers and honks, plus a handful of antagonistic shouts

The biennial’s curators were unaware of the statement in a work by Demian DinéYazhi’ prior to the exhibition preview