Documenta
Boom and bust in Kassel and Athens
Documenta 14 sets itself in opposition to neoliberalism and the art market — but will it pave the way to greater excess?
While Art Basel's outlook stays cosmopolitan, US artists are left in the cold by curators
Documenta, Manifesta, La Triennale and the Kiev Biennale strike a different tone to the art market
Documenta sparks “censorship” row: Work by Gregor Schneider withdrawn
Fears that the artist's installation would be associated with the fair led to intervention
Road trip masterminded by Cedric Christie makes stop at Basel
Each of the twelve motorists have been assigned a vehicle restored by Christie, their route incorporating a series of art fairs
Has Art Basel lost out to Venice and Documenta?
European museums are at the fair, but some dealers say that US institutions are less prominent
No traces of recession felt at Art Basel 2002 thanks to Documenta
Art Basel '02 fair report
Documenta's journey from post-war to post-modern to pre-millennial
A history of how Documenta has changed with the times
Documenta '92 report: If art is dead, is the artist a zombie?
It's heavily influenced by the work of Joseph Beuys and shows the near and distant past rather than the present, with plenty of conceptual appropriation
Interview with curator Denys Zacharopoulos on Documenta IX: It’s a Documenta of certainties
“The museum is like a voodoo fetish, the artist a sorcerer but also a prisoner”