Reviewnews
An unconventional pastoralist: on Samuel Palmer
The charm of Samuel Palmer’s work is its refusal to submit to analysis
Exhibitionsarchive
A survey of open-air Italian landscapes, 1780-1830, explores imagery, techniques and aims
“Un paese incantato" comes to London
Edouard Vuillardarchive
"Beyond the easel" at New York's Metropolitan Museum of Art rises to the challenge of Les Nabis
Bonnard, Vuillard, Denis and Roussel are assessed as distinct individuals, brought together by the shared conviction that “There are no paintings, just decoration”