Michèle Hannoosh
Édouard Manetreview
Édouard Manet and modern beauty: prettier, more frivolous and gallant
A series of essays explores the 'feminisation' of the artist's later practice
Reviewnews
The most beautiful palette in France: on Eugène Delacroix
The extraordinary influence of Delacroix is tackled in a new exhibition and accompanying catalogue