Georgina Adam
Georgina Adam is the former Art Market editor of The Art Newspaper, where she is now editor-at-large. She is a contributor to the Financial Times Life & Arts Section, lectures at Sotheby's and Christie’s institutes in London and regularly participates in panels about the art market
Works worth more than $20m accounted for nearly half of auction sales in 2022, according to new Sotheby's report
Report also highlights how Asian, Millennial and Gen X buyers are changing the demographic of the market
The rise of art-backed loans is spectacular—here's how they work
Sotheby's is reportedly offering new securities service as art and finance worlds increasingly converge
'From "wet painting" to NFTs: the art market is moving on faster and faster'
Cycles in the industry are getting shorter with trends now coming and going within a year
Well-attended Arco fair in Madrid boosted by foreign wealth and Picasso’s 50th anniversary
Spain’s largest commercial art event saw 211 galleries gather at the IFEMA conference centre
'New French restitution laws should benefit the market—and maybe force change in Britain too?'
As the Washington Principles turn 25, the complexities of restitution in a global art world have mushroomed—leaving lessons to be learned for institutions, governments and art market players
The Van Gogh Sunflowers lawsuit: the full story behind the Nazi-loot claim to Tokyo’s $250m painting
Plus, Singapore’s art hub ambitions and Grace Lau's project for Chinese New Year
Kusama and Louis Vuitton: Who is signing on the (polka) dotted line for artist's mega-brand deals?
Yayoi's signature style is currently adorning 400 objects in a collaboration with the French luxury fashion house—but it is not clear how involved she is
Art SG Singapore fair report: has the city-state’s moment in the sun finally come?
Prestigious international galleries and regional heavyweights alike have gathered for the fair's much-delayed inaugural edition
Death in Miami: crypto winter imperils NFTs and the 'effective altruism' movement too
The collapse of FTX has not only devastated the crypto world, but also threatened the ethics of “make money, do good”, touted by its founders
Is Qatar's Fifa World Cup a lesson in artwashing?
Plus, how long left of the good times in the New York auction world? And abstract Black figuration
Cache of leaked documents reveal Sotheby's owner Patrick Drahi’s $750m art collection—and his tax affairs
Billionaire businessman has amassed a treasure trove of more than 200 prime works of art, many bought through his auction house
LVMH and Gagosian: why the rumour of a buy out makes sense, even if it isn’t true
A shared client base, product exclusivity and international reach—just some of the reasons why these two brands are perfect bed fellows
Frieze Masters turns ten: we look at fair’s milestone moments and predict its future
Charm, pedigree, contacts: how to dupe the art market
Court documents from the ongoing Inigo Philbrick fraud saga reveal that the secretive art market and the sheer attractiveness of its lifestyle will always suck the punters in
Old Master upgrades: how dealer James Stunt's ‘sleepers’ became autograph Van Dycks worth millions
Georgina Adam and Mark Hollingsworth investigate a troubling case of serial reattributions, showing how easily scholarly “opinion” translates into financial fact
Which East Asian city will become the region's next market hub?
While Seoul is now the main contender to take Hong Kong's prime position, Tokyo and Taipei also present attractive prospects for the art trade
What’s with dictators and bad art?
Imelda Marcos is just one of a series of despots with appalling taste
Fair-mageddon: Can art fairs recover from such dramatic losses?
Fairs haemorrhaged exhibitors and visitors during the pandemic—the events will need to find a new way forward
A surfeit of riches: a good time to sell art, despite the war?
From the $200m Warhol Marilyn at Christie's to the second part of the Macklowe sale at Sotheby’s, the May auctions in New York will be bigger than ever—against the odds
Bonhams continues acquisitions spree with purchase of Danish auction house Bruun Rasmussen
The firm bags a second Scandinavian auction house as sector consolidation continues
Bonhams's big buying spree continue with acquisition of US auction house Skinner
Just two months after buying the Nordic firm Bukowskis, the private-equity-owned auction house is bolstering its presence across the Pond
NFTs of Old Masters—good or bad?
Are the digitally produced copies of museum works sold as NFTs for six-figure sums simply very expensive digital posters?
Art Basel in Paris: an earthquake in the fair landscape
Fiac's eviction from the Grand Palais came as a shock to the French gallery scene—what was behind the move?
Bacon and beasts: an in-depth look at the visceral new show at London’s Royal Academy of Arts
Plus, Botticelli in New York and gender in Asian art in San Francisco
The Year Ahead: the best exhibitions to look forward to in 2022
Plus, who will be the art market’s winners and losers?
Bonhams buys Nordic auction house Bukowskis
The private-equity-owned auction house's acquisition of the Swedish firm is a first move in its bid to extend its global network
Who will be the gatekeepers of digital art?
Museums, curators and art professionals endorse traditional art, but who will be the gatekeepers for the online world?
NFTs, Banksy and Asia’s ascent: 2021, the year the art market was turned on its head
The past year will mostly be remembered for the ongoing social and economic convulsions caused by Covid-19. But in the art trade, the old world order was being demolished
Zeng Fanzhi painting once owned by the 'disappeared' Chinese entrepreneur Whitney Duan sells for $5.2m in Beijing
Prayer was one of five paintings by the Chinese artist “entrusted by an important institution” to the state-owned Poly Auction
Is the art market corrupt to the core? Balderdash.
An attorney in the Inigo Philbrick fraud case described the trade as completely rotten, I disagree