Georgina Adam
Georgina Adam is the former Art Market editor of The Art Newspaper, where she is now editor-at-large. She is a contributor to the Financial Times Life & Arts Section, lectures at Sotheby's and Christie’s institutes in London and regularly participates in panels about the art market
Bernard Arnault sells 70% of his stake in Phillips de Pury Luxembourg
The luxury goods mogul cuts his losses from auction house investment
Texan collector loses Van Dyck case, dealer judged not fault
Claim against Agnew’s dismissed though the painting ruled not autograph
A report, produced by David Kusin, suggests that the European art market seems to be in decline compared to that of the US
Are taxes and regulations hamstringing Europe or does the US just spend more?
Collectors sue Agnew’s over Van Dyck and Constable misattributions
The gallery catalogued both works as genuine, though experts made no secret of their ambivalence
Leading investment companies in bidding battle to take control of Drouot, the auction house that groups all the Parisian auctioneers
Investment companies bidding as Bergé drops out
The status of British neo-romantic artist Keith Vaughan is rising, and so are the prices of his art
Prices are rising for the Modern British neo-romantic
Sotheby’s and Christie’s kick off the long awaited now open French auction market
Inaugural sales do well
The traditional roles of auction houses and dealers are beginning to diminish
How the auction houses are encroaching on the dealers’ bailiwick, and why these are still in business
1991-2001: a mini-guide to a decade in the art market
From a game-changing Japanese scandal to price-fixing at the world's leading auction houses, we look at the most significant developments over the past ten years
David Ross, ex-SFMoMA, appointed chairman of Eyestorm
The company is moving from clicks to bricks selling through furnishing shops such as Conran
Disappointing result for the first International Asian art fair due to unfortunate timing
Fine quality at the Asian art fair failed to woo the buyers despite the perfect location
Some good sales in the face of tough times: Cultura Basel 2001
Cultura Basel ’01 fair report
How has the Hain affair affected the market?
Prices have never been higher, but selectivity is vital
Art dealer Adam Williams found guilty after 11 years of litigation
Williams will not appeal French court decision, citing health reasons
Online art ventures continue to face business difficulties
Eppraisals disappears, N@rt stops art sales, and nextMonet merges
Curator barred from Polish project to build contemporary art museum
Politics, again, involve Anda Rottenberg
LVMH raises Phillips’ society profile by appointing titles to the board
Ushering in a new age of glamour on Phillips board
With the Paris auction market soon to be cracked wide open to outside competition, all eyes were on the first major sales to be held this year
Tip-top results for two very different sales
Winning and losing categories in the art market over the last 15 years
Which trends have gone up and which have gone down
An overview of Paris’s top five auction houses at the turn of the millennium
Tajan and PIASA lead the list
Drouot reports 14% increase in turnover after another strong year in the market
End of auction monopoly still awaited
Marlborough wins suit against Schwitters estate
Bacon executor denies parallels with its own case
Phillips finds NY home while its owner, Bernard Arnault, headhunts in Sotheby’s
The auction house has acquired a 5,000 square foot facility in Manhattan
Hara Museum of Contemporary Art: A great private enterprise
Aristocrat Toshio Hara is admired by museum directors, such as Nick Serota of the Tate, for his contemporary art museum
Edo-period art at the Tokyo Fuji Art Museum
From the ukiyo-e prints popular culture to the armour of the Shogun, this exhibition delves into the many strands of Edo period art and culture
Collectors dormant at first edition of the Tokyo International Art Fair due to limping economy
Stock market crashes and earthquakes shake but collectors were not so lively
National Trust à la française? Inspired by Britain’s National Trust, a new Fondation du Patrimoine looks likely to be set up in France this summer.
Culture minister proposes new heritage institution funded by public membership