Georgina Adam
Georgina Adam is the former Art Market editor of The Art Newspaper, where she is now editor-at-large. She is a contributor to the Financial Times Life & Arts Section, lectures at Sotheby's and Christie’s institutes in London and regularly participates in panels about the art market
Why the rise of the private museum is rewriting the rules of the market
Dealers are growing increasingly wary of do-it-yourself institutions
Modigliani expert Christian Parisot sentenced for forgery
He maintains his innocence
Dubai fair reaps reward of focus on Indian contemporary art
British collectors Charles Saatchi and Frank Cohen were among those who bought
Sotheby’s announces auction of Chinese art just two days after museum display
The Estella collection will be sold in Hong Kong this month following exhibitions at leading institutions
Dealers’ selling of works through auction houses is short-sighted and self-defeating
Collaboration between the two spheres does not always benefit the market
Gagosian goes for Gupta
Indian artist Subodh Gupta is in the mega-gallery's sights
Strong sales at Art Dubai shadowed by censorship of Pakistani artist
Market worries conspicuously absent at Art Dubai
Modigliani scholar faces trial for fraud
Christian Parisot is accused of faking drawings by the artist’s lover Jeanne Hébuterne
Art Basel Miami Beach '07: Promising sales on Day 1 a reflection of firm market
Concerns about the impact of the tumultuous economy seem unwarranted as buyers crowd Basel
Mortgage crisis and resulting stock market plunge be damned—the party isn’t over yet
In 2007 we noted that strong sales at auction and fairs and more money coming from Russia, Indian and Chinese collectors indicated that confidence in art remained strong
Fiac '07 fair report: Fiac makes a strong comeback with new location at the Grand Palais
Collectors and dealers praise the quality of art on offer
Chinese buyers thin on the ground at first Shanghai art fair: ShContemporary in review
Nevertheless, dealers predict this will change as excitement surrounds international event
How much is David Khalili’s Islamic art worth?
The Sunday Times values it at $9 billion, but several dealers disagree
Pinault commits $110m to new museum
Japanese architect Tadao Ando will visit the site this month
Art Chicago comes back from the dead with new ownership and energy
Almost everything about the fair was better—but where were the collectors?
Is a Venice Biennale presence the key to Art Basel sales?
Some claim that a good reception at the Biennale ensures an artist's name is stamped in market memory
Pinault procures Polke paintings
Billionaire is set to open new Venice museum in 2009
Bacon “rubbish” including sketches and diaries makes £1m at auction
An alternative end for the rubbish that was to be thrown out from Bacon’s famously chaotic studio at 7 Reese Mews in London
Posthumous Giacometti sculptures sold at Gagosian
Pieces represent first $10m in a probable $54m deal
Christie’s Warhol could set new record in New York
The work is one of the “Death and Disaster” series which rarely come on the market
Mugrabi family considering Warhol deal with sheikh
The deal could be worth around $1 billion
Qatar sweeps the board at London Islamic sales
Spokesperson for The Museum of Islamic Art revealed the results of the sale
Warhol “Athletes” commissioned for $800,000 to be sold for $28m
This is the first time a complete set of the series is on offer
World’s biggest art collector is buying again
Sheikh Saud Al-Thani of Qatar has now been pardoned
The art market is transforming, but auction house expansion into the contemporary primary market is a symptom of a wider pattern
Globalisation, competition, and massive price increases are forces behind a new market
Rediscovered Bacon “rubbish” could fetch £50,000
Documents and paintings will be sold at a country auction
Collector sells £15m Turner collection to buy Chinese contemporary art
Baron Ullens is acquiring new works for his Beijing gallery
Specialist Barbara Pollock questions value of contemporary Chinese art
Pollock is forthright about her distrust of the current auction market in China
Pinault commissions remake of Chapman piece
The original work burned in a fire 2004
Art Basel/Miami Beach '06: More international than ever
Most works sold on opening day and buyers came from all continents