Georgina Adam
Georgina Adam is the former Art Market editor of The Art Newspaper, where she is now editor-at-large. She is a contributor to the Financial Times Life & Arts Section, lectures at Sotheby's and Christie’s institutes in London and regularly participates in panels about the art market
Qatar sweeps the board at London Islamic sales
Spokesperson for The Museum of Islamic Art revealed the results of the sale
Warhol “Athletes” commissioned for $800,000 to be sold for $28m
This is the first time a complete set of the series is on offer
World’s biggest art collector is buying again
Sheikh Saud Al-Thani of Qatar has now been pardoned
The art market is transforming, but auction house expansion into the contemporary primary market is a symptom of a wider pattern
Globalisation, competition, and massive price increases are forces behind a new market
Rediscovered Bacon “rubbish” could fetch £50,000
Documents and paintings will be sold at a country auction
Collector sells £15m Turner collection to buy Chinese contemporary art
Baron Ullens is acquiring new works for his Beijing gallery
Specialist Barbara Pollock questions value of contemporary Chinese art
Pollock is forthright about her distrust of the current auction market in China
Pinault commissions remake of Chapman piece
The original work burned in a fire 2004
Art Basel/Miami Beach '06: More international than ever
Most works sold on opening day and buyers came from all continents
The Warhol effect : Moving from connoisseurship to brand recognition
How the money men have changed the market
Why you cannot trust dealers’ prices—or auction results either
In 2006 we reported that attempts to accurately measure the market are being thwarted by auction guarantees and private sales between tight-lipped collectors
This year's Art Basel proves Andy Warhol has become a universal brand name
Financial buyers have had a dramatic impact on the way the art market works
The Nazi bounty hunters: War loot claims become big business
World War II restitution is now a multi-million dollar enterprise in which lawyers, auction houses and possibly even venture capitalists all have a stake
Guggenheim versus Pinault over prime city site
Who will lease the Punta della Dogana?
Frieze: For one week London became the centre of the art world
The annual event in Regent’s Park is a new magnet for artists, collectors and dealers
Best results ever for Italian art at auction
An unnamed East European collector bought several works at both Sotheby’s and Christie’s
Gagosian in controversial $54m Giacometti deal
“Preposterous plan to create additional sculptures,” says rival PaceWildenstein
Tate and Scottish National Gallery in talks to acquire d’Offay collection
Legendary dealer is thought to own 700 works worth £100m
Where is the art from the ‘Sensation’ show? A list of the collectors in 2006
An Art Newspaper investigation tracks the ownership history of art from Charles Saatchi's collection shown at the Royal Academy in 1997
Martin Summers reveals his Jean-Michel Basquiat collection
Treasures from behind the secret door
Police search Montparnasse Museum in Modigliani fakes investigation
Up to 1,000 forged works are circulating on the market, says expert
Modigliani sold to Russian buyer
The artist's portrait of Picasso is now part of a Moscow private collection
Christie’s launches online bidding
Clients will be able to follow live auctions at home
How long can this amazing art market boom last?
In recent years have seen works sold for explosive prices—and now in 2006 we are asking if this an indication of an accelerating trend or a reflection of the cyclical nature of the market?
François Pinault injects cash into French auction house
Piasa gets revamp after falling out of top six
How François Pinault beat Sheikh Saud to a Jeff Koons flower sculpture
The Emir of Qatar, the Sheikh’s cousin, was also keen on acquiring the work
The 'Young Art Fair' at Liste attracts top art collectors
Despite the scruffiness, business is swift in the fair's 11th year
Volta's success continues with a strong performance on the first day of its second edition
Business is brisk but while the fair’s change of location allowed much needed expansion it leaves collectors hot and bothered
Opening report on Art Basel shows a strong start and an increase in jet-set collectors
Trends from the fair's first day indicate the importance of the European market
$95m sale at Sotheby's ushers in new era of Picasso at Basel
An anonymous Russian collector's investment in Dora Maar au Chat has lead several important works to enter the market