
Gareth Harris
Gareth Harris is the Chief Contributing Editor of The Art Newspaper
London's calling: John Giorno’s seminal project inviting people to 'Dial-a-Poem' goes on show during Frieze
The audio work by the late US artist will feature in an exhibition at Almine Rech's gallery and at its booth at the art fair
Plaque added near controversial Cecil Rhodes statue polarises critics and academics
Oxford professor and curator Dan Hicks calls the sign an “embarrassment”
‘Radical’ late fabric works by Louise Bourgeois to go on show at London’s Hayward Gallery
The first major exhibition to focus on the textile pieces that the late Paris-born artist made in the final phase of her career will open in February 2022
Hell is here and now, says curator of show inspired by Dante's Inferno
Exhibition at Rome's Scuderie del Quirinale looks at Hell in art throughout the ages, from medieval torture to 20th-century concentration camps
'Don't go drink mojitos in a fun bubble': Tania Bruguera calls on art world to boycott 14th Havana Biennial over state violence
Artist and activist who has fled her home country says it is “immoral” to travel to Cuba "when there are so many people [there] who have been wrongfully imprisoned”
Bradford, Southampton and the county of Cornwall make the UK City of Culture 2025 longlist
But Banksy ‘spraycation’ towns are eliminated from the competition
City of London U-turn on historic statues means slave trader sculptures will stay in place
William Beckford and John Cass figures will be "retained and explained", as recommended by the UK government
October Book Bag: from a history of colour to how portraits of ‘murderous autocrats’ have shaped art
Our roundup of the latest art publications
Trio of French exhibitions will celebrate the late artist Christian Boltanski this month
Shows at the Centre Pompidou, Louvre and the Palace of Versailles explore the life and works of the conceptual artist
'An abandonment of culture': artists Anish Kapoor and Jeremy Deller criticise severe cuts at British Council
Government support for the UK's international organisation for cultural relations will be significantly reduced or cease altogether in 20 countries
British Museum should review its position on the Parthenon Marbles, Unesco body says
Greece's culture minister says the issue is of intergovernmental nature rather than a matter for the British Museum
Climate scientist stands down as adviser to London's Science Museum over fossil fuel sponsorship
Chris Rapley, a professor of climate science at University College London, disagrees with the museum's "ongoing willingness to accept oil and gas company sponsorship"
Custard Apple, breadfruit and soursop sculptures honouring the Windrush generation unveiled in east London
Veronica Ryan's marble and bronze works are the first in a series of monuments dedicated to the Caribbean people who arrived in the UK between 1948 and 1971
Prado extension designed by Norman Foster finally gets the green light
First proposed in 1995, the project has faced multiple delays
Second presenter from right-wing GB News channel appointed trustee of a UK museum
Former Brexit Party candidate Inaya Folarin Iman joins board of the National Portrait Gallery in London
Trial date set for Belgian artist Jan Fabre following three-year #MeToo investigation
Choreographer faces charges of sexual harassment and indecent assault
Portrait of a pandemic: five works at Art Basel that confront Covid-19
The first edition of Art Basel to take place since the onset of the global pandemic is full of new works created in the midst of lockdown
Art Basel 2021: it’s good to be back—but things are going to change, dealers say
Despite the success of the fair's first post-pandemic edition, galleries are weighing up the future
Artists announced for Saudi Arabia's contemporary art biennial
Diriyah Contemporary Art Biennale is part of a drive to promote the cultural credentials of the middle Eastern kingdom
'The Europeans are back and buying': sales flow steadily at first Art Basel since the pandemic
Though Covid-19 travel complications have kept many US and Asian collectors away, dealers report brisk business from the VIP opening
Guggenheim director Richard Armstrong sets new opening date for long-delayed Abu Dhabi museum
New deputy director Naomi Beckwith says "we can re-centre where the stories of art are told"
Unlimited—Art Basel’s section for large works—opens to visitors with a rainbow jacuzzi, a spooning couple and a house made of bread
Curator Giovanni Carmine walks through highlights among the 62 supersized installations presented at the fair
'Musée d’Orsay can no longer be a tourist factory': Christophe Leribault named new director of Paris museum
Leribault will oversee a major redevelopment of the Musée d’Orsay over the next decade
Looted African works that France has promised to return to Benin will be shown in Paris museum for one last time
The exhibition Benin: the Restitution of 26 Works from the Royal Treasures of Abomey at Musée du quai Branly–Jacques Chirac will be on view for five days in October
James Turrell and Sebastião Salgado among international recipients of £400,000 Japanese art prize
Japan Art Association drew up the all-male winners list for award dubbed ‘Nobel Prize for the Arts’
British Council—the UK's international organisation for cultural relations—winds down in 20 countries
Covid impact on commercial income has led to cost cutting, organisation says
After UK government slashes arts education funding it is now offering £10m extra cash—for a lucky few institutions
A select group of 16 specialist colleges, including the Royal College of Art and the Courtauld Institute of Art, have been given a lifeline
‘Caravaggio was a major-league asshole’: the long tradition of scandal in art
According to Noah Charney’s new book, infamy in the art world—be it contrived drama to drum up publicity or genuine artistic rivalry—is as old as art itself
Eye of the Collector tries out new fair format in a neo-Gothic setting
The no-stands format of the London event in Two Temple Place is a refreshing change, although some visitors found the lack of labels confusing
Extract | How the colours in ancient Pompeian frescoes ‘spoke’ to Mark Rothko
A new book by the art historian Ben Street attempts to demystify how we look at art and argues for reacting instinctively to what we see