Ben Luke
Ben Luke is a contributing editor and podcast host at The Art Newspaper
Pierre Huyghe creates sci-fi landscape in Münster
French artist’s four galleries chip in for spectacular project in ice rink that could cost more than €1m
Trust and risk: why Documenta and Münster are the artists’ favourite shows
This year’s German exhibitions may come round far less frequently than the biennials, but their influence on artists is immeasurably greater
Münster: reflective art in a neo-Medieval Disneyland
The fifth edition of the sculpture show, held every ten years, corrects a gender imbalance but continues a melancholy tradition, according to its chief curator
Nairy Baghramian: check your privilege
As she features in Documenta 14 and takes centre stage in Münster this summer, the Berlin-based artist discusses her approach to these major public exhibitions and the need to be wary of sensation and spectacle
Rachel Maclean uses Pinocchio to reflect on post-truth politics in Venice
The Scottish artist’s new film was inspired by the Italian fairy tale and Venice’s Baroque glitter
The path to other dimensions: Christine Macel’s Viva Arte Viva at the Venice Biennale
The French curator behind this year’s main show discusses her belief in art’s transcendent power and her desire to create a focused exhibition
Memories from the director’s chair: five curators look back on their Venice Biennale shows
Selecting dozens of artists, dealing with a quirky organisation and navigating an idiosyncratic city—all under the gaze of a rapt art world—make curating the greatest art show on earth a test. Here, the five most recent artistic directors recall their experiences
Turner Prize shortlist dominated by painters and older artists as Tate lifts age limit
Hurvin Anderson, Lubaina Himid, Andrea Büttner and Rosalind Nashashibi are in the running for coveted award
Why try to fix the Turner Prize when it ain’t broke?
There is a downside to dropping the age limit of 50 for qualifying artists
Howard Hodgkin dies aged 84
British painter, described as one of the greatest colourists of his generation, won the Turner Prize in 1985 and exhibited widely including at the Met and Reina Sofia
The other lives of artists
The exhibition Michelangelo & Sebastiano at the National Gallery in London reflects the younger artist’s sharp decline in production once he became keeper of the papal seal. But second jobs did not stop Rubens and Velázquez painting
Nathan Coley sets fire to (a tiny) Tate Modern for London show
Glaswegian artist's works gain pertinence at a time when cultural institutions are being targeted by extremists
From the archive | The art machine: the Centre Pompidou at 40
As the Parisian cultural behemoth hits a landmark anniversary, figures from the world of art and architecture discuss its legacy
Hadid’s paintings take on a life of their own
Virtual-reality experience is the result of a collaboration between the late architect’s studio, the Serpentine and Google
National Gallery finally takes the Fourth Plinth to its heart
London museum embraces proposals for the works on this year’s plinth as opportunity to engage the public
In her own words: Maria Balshaw, new director of Tate
Incoming director picks the art that impressed her the most in 2016
Top art stories from a memorable 2016
What's next for culture after a seismic year?
Three to see: London
Contemplate Elton John’s radical eye and pet Rauschenberg’s goat before sailing upstream into Rachel Maclean’s bubble-gum universe
Rachel Maclean: Selfie Portrait
The video artist, who is representing Scotland at next year’s Venice Biennale, discusses her satirical take on identity and online narcissism
Artists raise millions for Hillary Clinton
Jeff Koons has donated more than $50,000 in cash and through his work to support the US presidential candidate
Luc Tuymans’s Ensor show at the Royal Academy plays the Trump card
Belgian painter sees echoes of today’s populist movements in his compatriot’s grotesque folkloric imagery
In pictures: Frieze Focus
Six stand out booths, by galleries founded since 2004, reflect the section's enduring dynamism
The Nineties: don't look back in anger
It may be hard to swallow, but the 1990s are history—art history—and it’s a decade ripe for reappraisal