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The Week in Art
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MFA Boston returns work by enslaved artist David Drake to his heirs, Wifredo Lam, Ghirlandaio’s Adoration of the Magi—podcast

Ben Luke discusses the landmark agreement with a curator at the Boston museum, meets the team behind MoMA's new Lam show, and explores a new book on the children of the Renaissance

Hosted by Ben Luke. Produced by Philippa Kelly and David Clack
7 November 2025
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Dave Drake (or Dave the Potter), Storage jar, 1857

Art: John H. and Ernestine A. Payne Fund, Otis Norcross Fund, Edwin E. Jack Fund, Elizabeth M. and John F. Paramino Fund in memory of John F. Paramino, Boston Sculptor, Harriet Otis Cruft Fund and Seth K. Sweetser Fund, from the descendants of David Drake. Photograph: © Museum of Fine Arts, Boston

Dave Drake (or Dave the Potter), Storage jar, 1857

Art: John H. and Ernestine A. Payne Fund, Otis Norcross Fund, Edwin E. Jack Fund, Elizabeth M. and John F. Paramino Fund in memory of John F. Paramino, Boston Sculptor, Harriet Otis Cruft Fund and Seth K. Sweetser Fund, from the descendants of David Drake. Photograph: © Museum of Fine Arts, Boston

The Week in Art

From breaking news and insider insights to exhibitions and events around the world, the team at The Art Newspaper picks apart the art world’s big stories with the help of special guests. An award-winning podcast hosted by Ben Luke.

The Museum of Fine Arts (MFA) in Boston, US, has agreed to return two works from 1857 by the enslaved 19th-century potter David Drake to his present-day descendants. By the terms of the contract, one vessel will remain on loan to the museum for at least two years. The other—known as the “Poem Jar”—has been purchased back by the museum from the heirs for an undisclosed sum and now comes with “a certificate of ethical ownership”. Ben Luke talks to Ethan Lasser, the MFA’s chair of the art of Americas, about this landmark agreement.

Wifredo Lam. La jungla (The Jungle), 1942-43

The Museum of Modern Art, New York © Wifredo Lam Estate, Adagp, Paris / ARS, New York 2025

At the Museum of Modern Art in New York, the exhibition Wifredo Lam: When I Don’t Sleep, I Dream opens on Monday. Lam, who was of African and Chinese descent, is now widely regarded as a key, and singular, figure in Modernist painting. Connected in his long life to the Surrealists and Pablo Picasso, and to literary greats including Aimé Césaire and Edouard Glissant, his distinctive practice was above all centred on a profound engagement with Black diasporic culture. Ben talks to the two lead curators of the exhibition, Beverly Adams, curator of Latin American Art at MoMA, and the museum’s new director, Christophe Cherix.

the Adoration of the Magi (1488), Domenico Ghirlandaio

Wikimedia Commons

And this episode’s Work of the Week is the Adoration of the Magi (1488) by Domenico Ghirlandaio. The painting is in the Ospedale degli Innocenti, the first hospital for unwanted or orphaned infants, or foundlings, in Europe, built by the great Renaissance architect, Filippo Brunelleschi. The Innocenti, as it is called, is the subject of a new book, called The Innocents of Florence: The Renaissance Discovery of Childhood, by Joseph Luzzi, and Ben speaks to him about the painting and its significance in the Innocenti’s collection.

  • Wifredo Lam: When I Don’t Sleep, I Dream, Museum of Modern Art, New York, 10 November-11 April 2026
  • The Innocents of Florence: The Renaissance Discovery of Childhood, published in hardback by WW Norton, from 11 November in the US, priced $29.99, and from 28 November in the UK, priced £23
  • New subscription offer: eight-week free digital trial of The Art Newspaper. The subscription auto-renews at full price for your region. Cancel anytime
The Week in ArtMuseum of Fine Arts, BostonRestitution
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