Next month, the German artist Anselm Kiefer will be 80, and the first of a number of shows internationally to mark this landmark moment opened this week at the Ashmolean Museum, Oxford, UK. It focuses on his early works, and Ben Luke visits Oxford to discuss this pivotal moment in his career with Lena Fritsch, the curator of the exhibition.
Anselm Kiefer, Innenraum (Interior) (1982) Courtesy of the Hall Art Foundation.© Anselm Kiefer. Photo: Steven Brookes Studio
The latest edition of the biennial in the United Arab Emirate of Sharjah opened earlier this month. The Art Newspaper’s correspondent Dale Berning Sawa visited during opening week and spoke to Sheikha Hoor Al Qasimi, the president and director of Sharjah Art Foundation, which runs the biennial, about this year’s edition, her journey in art, and her role in establishing the biennial as a leading art world event.
And this episode’s Work of the Week is Portrait of Mateu Fernández de Soto (1901) by Pablo Picasso, a painting from the artist’s Blue Period. Conservators at the Courtauld Institute in London have discovered an image of a mystery woman hidden beneath this portrait of De Soto, Picasso’s friend and fellow artist. We talk to Barnaby Wright, deputy head of the Courtauld Gallery, about the painting and the image beneath it. The work features in a new exhibition at the gallery, Goya to Impressionism. Masterpieces from the Oskar Reinhart Collection.
- Anselm Kiefer: Early Works, Ashmolean Museum, Oxford, UK, 14 February-15 June; Anselm Kiefer: Where Have All the Flowers Gone, Van Gogh Museum and the Stedelijk Museum, Amsterdam, 7 March-9 June; Kiefer / Van Gogh, Royal Academy of Arts, London, 28 June-26 October; Anselm Kiefer: Becoming the Ocean, Saint Louis Art Museum, US, 18 October 2025-25 January 2026
- To carry, the 16th Sharjah Biennial, until 15 June 2025
- Goya to Impressionism. Masterpieces from the Oskar Reinhart Collection, The Courtauld Gallery, London, 14 February-26 May